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Now when Squealer described the scene so graphically, it seemed to the animals that they did remember it. At any rate, they remembered that at the critical moment of the battle Snowball had turned to flee. (7.18)
Boy, we're lucky that none of our politicians ever try to rewrite the past, right? Right?? Luckily we have recording devices to make it just a little bit harder.
To the amazement of everybody, three of them [the dogs] flung themselves upon Boxer. Boxer saw them coming and put out his great hoof, caught a dog in mid-air, and pinned him to the ground. The dog shrieked for mercy and the other two fled with their tails between their legs. Boxer looked at Napoleon to know whether he should crush the dog to death or let it go. Napoleon appeared to change countenance, and sharply ordered Boxer to let the dog go, whereat Boxer lifted his hoof, and the dog slunk away, bruised and howling. (7.24)
After the dogs get a taste for blood during the first of the show trials, they turn on Boxer—but Boxer quickly puts a stop to that. So why doesn't he put a stop to Napoleon, too? Why does he let all this violence happen?
When they had finished their confession, the dogs promptly tore their throats out, and in a terrible voice Napoleon demanded whether any other animal had anything to confess. (7.25)
Yikes. You would have thought Orwell would spend a little longer with this, but instead he just tosses it out there: "the dogs promptly tore their throats out." It's as though he wants us to experience this violence as shocking—and shockingly matter-of-fact.