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Quotes

Quote #7

He went in front with a few men,
good judges of the lie of the land,
and suddenly discovered the dismal wood,
mountain trees growing out at an angle
above grey stones: the bloodshot water
surged underneath. It was a sore blow
to all of the Danes, friends of the Shieldings,
a hurt to each and every one
of that noble company when they came upon
Aeschere's head at the foot of the cliff. (1412-1421)

It's good enough for the most chilling horror movie: you're tracking the monster, you see a bloody lake around the corner of the cliff, and then your friend's severed head staring up at you. It certainly gives us the shivers.

Quote #8

So the Shieldings' hero, hard-pressed and enraged,
took a firm hold of the hilt and swung
the blade in an arc, a resolute blow
that bit deep into her neck-bone
and severed it entirely, toppling the doomed
house of her flesh; she fell to the floor.
The sword dripped blood, the swordsman was elated. (1563-1569)

Sometimes Beowulf does seem to take a bloodthirsty pleasure in his acts of violence, as in this scene, where he decapitates Grendel's mother. The parallel structure of the last line of this passage – "The sword dripped blood, the swordsman was elated" – implies a direct cause-and-effect relationship between the two, even though the poet doesn't explicitly say that one caused the other.

Quote #9

So the king of the Geats
raised his hand and struck hard
at the enamelled scales, but scarcely cut through:
the blade flashed and slashed yet the blow
was far less powerful than the hard-pressed king
had need of at that moment. The mound-keeper
went into a spasm and spouted deadly flames:
when he felt the stroke, battle-fire
billowed and spewed. (2575-2583)

Even the dragon's death-agonies are depicted in gruesome detail, as it thrashes and spasms in response to Beowulf's attacks. We think that as a film, if it were made exactly the way it's written, Beowulf would definitely get rated R for "intense scenes of fantasy violence."

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