| Quote #1
[Krook] touched me on the arm to stay me, and chalked the letter J upon the wall--in a very curious manner, beginning with the end of the letter and shaping it backward. It was a capital letter, not a printed one, but just such a letter as any clerk in Messrs. Kenge and Carboy's office would have made.
"Can you read it?" he asked me with a keen glance.
"Surely," said I. "It's very plain."
"What is it?"
With another glance at me, and a glance at the door, he rubbed it out and turned an "a" in its place (not a capital letter this time), and said, "What's that?"
I told him. He then rubbed that out and turned the letter "r," and asked me the same question. He went on quickly until he had formed in the same curious manner, beginning at the ends and bottoms of the letters, the word Jarndyce, without once leaving two letters on the wall together.
"What does that spell?" he asked me.
When I told him, he laughed. In the same odd way, yet with the same rapidity, he then produced singly, and rubbed out singly, the letters forming the words Bleak House. These, in some astonishment, I also read; and he laughed again.
"Hi!" said the old man, laying aside the chalk. "I have a turn for copying from memory, you see, miss, though I can neither read nor write." (5.79-88)
This passage works well in combination with the paragraph about how horrible it must be for Jo not to be able to read or write. Literacy was quite a divide back then, when such a huge proportion of the population was fully or functionally illiterate. Writing and documents have so much power in the novel that not being able to understand them is a tremendous disadvantage for people who already have plenty of disadvantages.
| Quote #2
We were all enchanted. I felt it a merited tribute to the engaging qualities of Ada and Richard that Mr. Skimpole, seeing them for the first time, should he so unreserved and should lay himself out to be so exquisitely agreeable. They (and especially Richard) were naturally pleased, for similar reasons, and considered it no common privilege to be so freely confided in by such an attractive man. The more we listened, the more gaily Mr. Skimpole talked. And what with his fine hilarious manner and his engaging candour and his genial way of lightly tossing his own weaknesses about, as if he had said, "I am a child, you know! You are designing people compared with me" (he really made me consider myself in that light) "but I am gay and innocent; forget your worldly arts and play with me!" the effect was absolutely dazzling. (6.75-76)
Skimpole can really talk a good game. With Skimpole, we have to keep in mind that he can schmooze and charm everyone he comes across. This is probably how he gets all these tradesmen to sell him stuff on credit.
| Quote #3
"I wants it done, and over. I wants a end of these liberties took with my place. I wants an end of being drawed like a badger. Now you're a-going to poll-pry and question according to custom--I know what you're a-going to be up to. Well! You haven't got no occasion to be up to it. I'll save you the trouble. Is my daughter a-washin? Yes, she IS a-washin. Look at the water. Smell it! That's wot we drinks. How do you like it, and what do you think of gin instead! An't my place dirty? Yes, it is dirty-- it's nat'rally dirty, and it's nat'rally onwholesome; and we've had five dirty and onwholesome children, as is all dead infants, and so much the better for them, and for us besides. Have I read the little book wot you left? No, I an't read the little book wot you left. There an't nobody here as knows how to read it; and if there wos, it wouldn't be suitable to me. It's a book fit for a babby, and I'm not a babby. If you was to leave me a doll, I shouldn't nuss it. How have I been conducting of myself? Why, I've been drunk for three days; and I'da been drunk four if I'da had the money. Don't I never mean for to go to church? No, I don't never mean for to go to church. I shouldn't be expected there, if I did; the beadle's too gen-teel for me. And how did my wife get that black eye? Why, I give it her; and if she says I didn't, she's a lie!" (8.91-93)
This is quite an extraordinary speech to put in the mouth of the brickmaker that Ada and Esther go visit with Mrs. Pardiggle. In a way, he is just as defiant about his lifestyle and choices as Sir Dedlock is about his, which was a progressive way to portray a miserable and destitute guy back in the day. His argument for getting the horrible Mrs. Pardiggle to leave him alone is pretty sound, too – it's not like she's going to make anyone's life better in that hovel.