| Quote #28
"It's wonderful, of course. And yet in a way," she had confessed to Fanny, "I feel as though I were getting something on false pretences. Because, of course, the first thing they all want to know is what it's like to make love to a Savage. And I have to say I don't know." She shook her head. "Most of the men don't believe me, of course. But it's true. I wish it weren't," she added sadly and sighed. "He's terribly good-looking; don't you think so?" (11.84)
For the first time, Lenina experiences the gap between desire and consummation. But is this the only reason she likes John – the fact that she can't have him?
| Quote #29
Those fiery letters, meanwhile, had disappeared; there were ten seconds of complete darkness; then suddenly, dazzling and incomparably more solid-looking than they would have seemed in actual flesh and blood, far more real than reality, there stood the stereoscopic images, locked in one another's arms, of a gigantic negro and a golden-haired young brachycephalic Beta-Plus female.
Huxley does an interesting thing here by making his reader (of the 1930s, that is) feel a similar sense of taboo that the fictional characters feel watching the feely. To them, the idea of three weeks of monogamous sex is, well, smut. To 1930s English readers, the thought of a black man and a white woman would be similarly frowned upon. We're not sure if Huxley deserves this much credit, but it would be nice if the text were asking whether or not our own present-day taboos were as unreasonable as the idea that monogamy is wrong.
| Quote #30
The concussion knocked all the negro's conditioning into a cocked hat. He developed for the Beta blonde an exclusive and maniacal passion. She protested. He persisted. There were struggles, pursuits, an assault on a rival, finally a sensational kidnapping. The Beta blond was ravished away into the sky and kept there, hovering, for three weeks in a wildly anti-social tête-à-tête with the black madman. Finally, after a whole series of adventures and much aerial acrobacy three handsome young Alphas succeeded in rescuing her. The negro was packed off to an Adult Re-conditioning Centre and the film ended happily and decorously, with the Beta blonde becoming the mistress of all her three rescuers. They interrupted themselves for a moment to sing a synthetic quartet, with full super-orchestral accompaniment and gardenias on the scent organ. Then the bearskin made a final appearance and, amid a blare of sexophones, the last stereoscopic kiss faded into darkness, the last electric titillation died on the lips like a dying moth that quivers, quivers, ever more feebly, ever more faintly, and at last is quiet, quite still. (11.102)
If you were feeling adventurous, you could probably think of this as some sort of vague foreshadowing of the climactic orgy scene at the end of the novel.