Brave New World
How we cite our quotes:
Then aloud, and more warmly than ever, "I'd simply love to come with you for a week in July," she went on. (Anyhow, she was publicly proving her unfaithfulness to Henry. Fanny ought to be pleased, even though it was Bernard.) "That is," Lenina gave him her most deliciously significant smile, "if you still want to have me."
Bernard's pale face flushed. "What on earth for?" she wondered, astonished, but at the same time touched by this strange tribute to her power. (4.1.4-5)
Lenina and John are similar in the sexual power they hold over others.
They entered. The air seemed hot and somehow breathless with the scent of ambergris and sandalwood. On the domed ceiling of the hall, the colour organ had momentarily painted a tropical sunset. The Sixteen Sexophonists were playing an old favourite: "There ain't no Bottle in all the world like that dear little Bottle of mine." Four hundred couples were five-stepping round the polished floor. Lenina and Henry were soon the four hundred and first. The saxophones wailed like melodious cats under the moon, moaned in the alto and tenor registers as though the little death were upon them. Rich with a wealth of harmonics, their tremulous chorus mounted towards a climax, louder and ever louder – until at last, with a wave of his hand, the conductor let loose the final shattering note of ether-music and blew the sixteen merely human blowers clean out of existence. Thunder in A flat major. And then, in all but silence, in all but darkness, there followed a gradual deturgescence, a diminuendo sliding gradually, through quarter tones, down, down to a faintly whispered dominant chord that lingered on (while the five-four rhythms still pulsed below) charging the darkened seconds with an intense expectancy. And at last expectancy was fulfilled. There was a sudden explosive sunrise, and simultaneously, the Sixteen burst into song. (5.1.17)
Brave New World establishes a connection between music and sex, which begins here and is continued later on the orgy-porgy scene with Bernard and that unibrow woman Morgana.
Five-stepping with the other four hundred round and round Westminster Abbey, Lenina and Henry were yet dancing in another world – the warm, the richly coloured, the infinitely friendly world of soma-holiday. How kind, how good-looking, how delightfully amusing every one was! "Bottle of mine, it's you I've always wanted…" But Lenina and Henry had what they wanted… They were inside, here and now-safely inside with the fine weather, the perennially blue sky. And when, exhausted, the Sixteen had laid by their saxophones and the Synthetic Music apparatus was producing the very latest in slow Malthusian Blues, they might have been twin embryos gently rocking together on the waves of a bottled ocean of blood-surrogate.
Swallowing half an hour before closing time, that second dose of soma had raised a quite impenetrable wall between the actual universe and their minds. Bottled, they crossed the street; bottled, they took the lift up to Henry's room on the twenty-eighth floor. (5.1.19-22)
Part of the reason the Controllers make sure sex happens ALL THE TIME in the World State is that it prevents solitude. As we see here with Lenina and Foster, downtime is far less likely to lead to something dangerous – like independent thought – if the focus is on soma and sex.