How we cite our quotes:
She met Candide on reaching the castle and blushed; Candide blushed also; she wished him good morrow in a faltering tone, and Candide spoke to her without knowing what he said. The next day after dinner, as they went from table, Cunégonde and Candide found themselves behind a screen; Cunégonde let fall her handkerchief, Candide picked it up, she took him innocently by the hand, the youth as innocently kissed the young lady's hand with particular vivacity, sensibility, and grace; their lips met, their eyes sparkled, their knees trembled, their hands strayed. Baron Thunder-ten-Tronckh passed near the screen and beholding this cause and effect chased Candide from the castle with great kicks on the backside; Cunégonde fainted away; she was boxed on the ears by the Baroness, as soon as she came to herself; and all was consternation in this most magnificent and most agreeable of all possible castles. (1.8)
Candide’s expulsion is made absurd by the minor nature of his offense.
"Love you not deeply?"
"Oh yes," answered he; "I deeply love Miss Cunégonde."
"No," said one of the gentlemen, "we ask you if you do not deeply love the King of the Bulgarians?"
"Not at all," said he; "for I have never seen him." (2.10)
Candide’s love for Cunégonde is the product of his innocence.
"Cunégonde is dead! Ah, best of worlds, where art thou? But of what illness did she die? Was it not for grief, upon seeing her father kick me out of his magnificent castle?" (4.9)
Candide harbors absurdly romantic notions about Cunégonde, again betraying his youth and idealism.