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PROCTOR, breathless and in agony: It [Abigail] is a whore!
DANFORTH, dumfounded: You charge-?
ABIGAIL: Mr. Danforth, he is lying!
PROCTOR: Mark her! Now she'll suck a scream to stab me with but-
DANFORTH: You will prove this! This will not pass!
PROCTOR, trembling, his life collapsing about him: I have known her, sir. I have known her.
DANFORTH: You-you are a lecher?
FRANCIS, horrified: John, you cannot say such a –
PROCTOR: Oh, Francis, I wish you had some evil in you that you might know me. To Danforth: A man will not cast away his good name. You surely know that.
DANFORTH, dumfounded: In-in what time? In what place?
PROCTOR, his voice about to break, and his shame great: In the proper place-where my beasts are bedded. On the last night of my joy, some eight months past. She used to serve me in my house, sir. He has to clamp his jaw to keep from weeping. A man may think God sleeps, but God sees everything, I know it now. I beg you, sir, I beg you-see her what she is. My wife, my dear good wife, took this girl soon after, sir, and put her out on the highroad. And being what she is, a lump of vanity, sir- He is being overcome. Excellency, forgive me, forgive me. Angrily against himself, he turns away from the Governor for a moment. Then, as though to cry out is his only means of speech left: She thinks to dance with me on my wife's grave! And well she might, for I thought of her softly. God help me, I lusted, and there is a promise in such sweat. But it is a whore's vengeance, and you must see it now. (III.374-384)
Proctor reveals Abigail’s true motivations, jealousy and desire, at great personal cost to himself. If had made the revelation earlier, perhaps it could have prevented the tragedy of the witch-hunt.
ABIGAIL, with a bitter anger: Oh, I marvel how such a strong man may let such a sickly wife be-
PROCTOR, angered-at himself as well: You'll speak nothin' of Elizabeth!
ABIGAIL: She is blackening my name in the village! She is telling lies about me! She is a cold, sniveling woman, and you bend to her! Let her turn you like a-
PROCTOR, shaking her: Do you look for whippin'? (I.202-205)
Though Abigail pretends she’s angry at Elizabeth Proctor for damaging her reputation, the more powerful emotion is envy of Elizabeth for her marriage to John Proctor. Here she resorts to petty name-calling in order to cast doubt in John’s mind.
HALE: Why can she not wake? Are you silencing this child?
TITUBA: I love me Betty!
HALE: You have sent your spirit out upon this child, have you not? Are you gathering souls for the Devil?
ABIGAIL: She sends her spirit on me in church; she makes me laugh at prayer!
PARRIS: She have often laughed at prayer!
ABIGAIL: She comes to me every night to go and drink blood!
TITUBA: You beg me to conjure! She beg me make charm-
ABIGAIL: Don't lie! To Hale: She comes to me while I sleep; she's always making me dream corruptions!
TITUBA: Why you say that, Abby?
ABIGAIL: Sometimes I wake and find myself standing in the open doorway and not a stitch on my body! I always hear her laughing in my sleep. I hear her singing her Barbados songs and tempting me with-
TITUBA: Mister Reverend, I never-
HALE, resolved now: Tituba, I want you to wake this child.
TITUBA: I have no power on this child, sir.
HALE: You most certainly do, and you will free her from it now! When did you compact with the Devil?
TITUBA: I don't compact with no Devil!
The early scene in which Abigail falsely accuses Tituba of witchcraft lays the foundation for the twisting of justice in Salem, in which good and innocent people are accused and convicted by those without integrity. From this point on, it is apparent to us that something is deeply amiss in Salem – that the beliefs and paradigms of that society allow, or even promote, such unjust outcomes.