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Fever, 1793

Fever, 1793

by Laurie Halse Anderson

Foreignness and the 'Other' Theme

Early on in Fever, 1793, rumors spread that it's the refugees who are responsible for the fever in Philadelphia. While many fleeing from Santo Domingo (now Haiti) were indeed carrying the virus, the way in which the topic gets discussed becomes a bit of a problem. The fever is something that "they" are causing. Not "us." In this case, the "other" becomes the scapegoat for a problem infecting an entire society. As we learn from the novel, this kind of "us" versus "them" attitude can lead to acts of dehumanization (that is, treating people as though they aren't human beings.) The sad truth is, though, that death, fever, and illness can happen to anyone – refugee or otherwise.

We should also note that there are different kinds of foreigners in the novel, and each are treated in different ways. The French Doctors, for example, present the right cures, but they're in direct conflict with the treatments prescribed by the American Dr. Benjamin Rush. There's also the Free African Society that Eliza is a member of, and that helps victims of the fever and their families.

Questions About Foreignness and the 'Other'

  1. The refugees get full blame for the fever, and the information spreads like wildfire. Who do we hear repeating this information in the novel? And why?
  2. Why does Dr. Benjamin Rush enlist the help of the Free African Society to treat the fever victims?
  3. Matilda tells Eliza that the French doctors have more experience with yellow fever and therefore should be trusted. Where and how did they get this experience?
  4. Why does Eliza have such a hard time believing Matilda about the French cure?

Chew on This

Try on an opinion or two, start a debate, or play the devil’s advocate.

By viewing people as the "other," they become dehumanized. It becomes easier to dismiss people or treat them poorly when we regard them as less than human.

Philadelphia is a city of many cultures, all of them valuable to the life of the city.

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