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"Well," said he, "I believe you. You'd be but a fierce young hound indeed, if at your time of life you could help to hunt a wretched warmint, hunted as near death and dunghill as this poor wretched warmint is!" (3.20)
Pip may be innocent, but by supplying the convict with a file he loses just a little bit of his innocence. For the first time ever, he has to lie to Joe—and this moment sets the whole novel in action.
Young as I was, I believe that I dated a new admiration of Joe from that night. We were equals afterwards, as we had been before; but, afterwards at quiet times when I sat looking at Joe and thinking about him, I had a new sensation of feeling conscious that I was looking up to Joe in my heart. (7.64)
Okay, what's weird about this is that Pip goes from seeing Joe as an equal to admiring him—which is the exact opposite of what happens to most kids and their parents. Does losing some of his innocence help him learn to respect Joe?
I had never parted from him before, and what with my feelings and what with soap-suds, I could at first see no stars from the chaise-cart. But they twinkled out one by one, without throwing any light on the questions why on earth I was going to play at Miss Havisham's, and what on earth I was expected to play at. (7.91)
It's not exactly going off to college, but this is still a big moment in Pip's little life: it's the first time he's sleeping under someone else's roof. (No slumber parties in nineteenth century English villages, apparently.) It's also a Garden of Eden moment: he's leaving his dream world by the marshes and heading off into a new kind of garden—a ruined and gated one.