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Well, about six weeks ago, she heard the name Gatsby for the first time in years. It was when I asked you – do you remember? – if you knew Gatsby in West Egg. After you had gone home she came into my room and woke me up, and said: "What Gatsby?" and when I described him – I was half asleep – she said in the strangest voice that it must be the man she used to know. It wasn't until then that I connected this Gatsby with the officer in her white car. (4.145)
This "strangest voice" tips us off that Gatsby is more than some dude Daisy used to flirt with. She had some real feelings for him—and those feelings of the past are about to burst into the present.
"It was a strange coincidence," I said.
"But it wasn't a coincidence at all."
"Gatsby bought that house so that Daisy would be just across the bay." (4.147-151)
Gatsby's entire present existence—the house, the money, the pink suits—is constructed so Daisy will notice him. It may look like he's living for the moment, with his flashy parties and careless wealth, but he's actually stuck in the past.
James Gatz – that was really, or at least legally, his name. He had changed it at the age of seventeen and at the specific moment that witnessed the beginning of his career – when he saw Dan Cody's yacht drop anchor over the most insidious flat on Lake Superior. (4.6)
There's being dissatisfied with your clothes or your haircut, and then there's being dissatisfied with your entire existence. James Gatz is dissatisfied with his whole being, and we're pretty sure this isn't going to end well.