Analysis: Booker's Seven Basic Plots Analysis: Rebirth
Christopher Booker is a scholar who wrote that every story falls into one of seven basic plot structures: Overcoming the Monster, Rags to Riches, the Quest, Voyage and Return, Comedy, Tragedy, and Rebirth. Shmoop explores which of these structures fits this story like Cinderella’s slipper.
Plot Type :
Louisa grows up under her father's tutelage.
The "dark power" in this novel is the system of Utilitarianism that forces Louisa to repress her feelings and instead to see the world through statistical analysis.
Louisa masters her feelings of revulsion and marries Bounderby.
She makes a valiant effort to refuse to give in to anything her heart dictates. She decides that her father's explanation of the way her marriage is financially practical and well-suited should be enough. For a year, she is able to entirely detach herself from her life and function as a kind of robot in Bounderby's presence. She convinces herself that her marriage is somehow helping her brother Tom, and that should be enough.
After meeting Harthouse, Louisa realizes that she has thrown away her life.
Harthouse seems to bring with him some hope of life. However, he just teaches her a similar kind of thinking as her father, only covered some sneers and cynicism. Louisa is entangled even further in a world view without morality. Some of her feelings are released – she cares for Harthouse – but they are unbounded by any considerations of right and wrong.
Her friendship with Harthouse progresses to love and desire.
As her feelings of attachment to Harthouse bloom into love, Louisa realizes just how trapped she has become, since divorce is an impossibility. At the same time, all her hopes of helping Tom are dashed. He totally rejects her, becoming a gambler and bank robber in the process. Louisa gives up trying. Instead she is more and more deeply entwined into a relationship with Harthouse.
She casts off Harthouse and Bounderby and has a confrontation with her father in which each realizes how far off the mark their lives have gone
After almost running off with Harthouse, Louisa instead has a long and way overdue conversation with her father about the way he screwed her up. Afterwards she falls ill, and wakes up a sort-of new woman. Louisa permanently separates from Bounderby and forgets about Harthouse. She then makes up with Sissy and tries to help her sister Jane not become like her. In general, Louisa starts to rediscover the humanity she's been forced to repress.