| in Just- |
At this moment, the balloonman could easily share in the innocence of the scene. "Little" and "lame" are adjectives which may not be particularly desirable, but they’re sure not scary.
| the queer |
OK, here’s where things start to get a little darker. The "queer" (we’re guessing that that just means strange here), "old" balloonman? Now he’s no longer part of the youth and regularity of spring.
| the |
We’re back again to the Pan references. Notice that this time, "Man" is capitalized. Why? Well, one thought might be that Cummings is trying to distinguish between the balloonMan and the children even more now than he was before.
| and bettyandisbel come dancing |
The regularity of the meter in these lines makes bettyandisbel seem like completely normal, innocent kids.
| it's |
Compare these stretched-out lines to the ones above. The first thing you’ll probably notice is their abnormality…they’re so short. Is the poem falling apart at the end?