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In the Waiting Room
In the Waiting Room
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In the Waiting Room Analysis
Symbolism, Imagery, Wordplay
National GeographicNational Geographic is a famous magazine that's been around since 1888. It covers topics such as geography, science, the environment, anthropology, history, and culture. In Bisho...
Form and Meter
Free VerseThis poem was written in free verse; it has no set rhyme scheme or meter. One interesting thing about the poem's form is that, in a way, it shrinks as it goes along. The poem is made up o...
The speaker of the poem is Elizabeth, who may or may not be Elizabeth Bishop herself, who may or may not be recounting a real childhood experience. As we discussed in our "Summary," some of the "fa...
"In the Waiting Room" takes place in… wait for it… a waiting room. More specifically, it takes place in the waiting room at a dentist's office. Sound exciting to you? Not really? Actually, the...
"In the Waiting Room" has short and clear lines. When you read the poem out loud, it sounds pretty clipped and matter-of-fact. Even the big emotional moments of the poem (when Elizabeth is asking a...
What's Up With the Title?
The title sets the scene of the poem, which takes place in the waiting room of a dentist's office. It's kind of a strange place to set a poem. It's somewhere you go just to, well, wait for somethin...
Detail, Detail, Detail Bishop is known for her finely tuned and precise poems. In a Bishop poem, every word matters. She is a master of detailed description. She doesn't just tell us that she's rea...
(4) Base CampThis poem isn't too hard to understand. What is hard about it is those darn questions that Elizabeth raises. What are the answers, Liz Bishop? What is the meaning of life? Fortunately...
Robert Lowell dedicated his poem "Skunk Hour" to Bishop. Bishop, in turn dedicated her poem "The Armadillo" to him. These poets like their animals. (Lowell's poem; Bishop's poem)Bishop spent years...
PG-13This isn't exactly a sexy poem, but we'll go ahead and give it a PG-13 for nudity.
Worcester, MassachusettsNational GeographicOsa and Martin JohnsonWorld War I
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