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Long Day's Journey Into Night

Long Day's Journey Into Night

by Eugene O'Neill

Lies and Deceit Theme

One way you could chart the trajectory of Long Day's Journey Into Night is to follow how willing the characters are to be honest with one another. As the play starts, everyone except for the eldest son is terrified of bringing up taboo subjects like drugs, alcohol, careers, and the past. When Jamie does bring them up (as he does so often), he's shot down by the rest of the family (twice with a blow to the face). Only by the end of the play, when the rules don't seem to matter any more, do the characters actually speak their minds.

Questions About Lies and Deceit

  1. Which words are taboo in the Tyrone household? Why? Does refusing to utter the words make them more or less potent?
  2. At the end of the play, Mary says, "You couldn't deceive [Mother Elizabeth], even if you were mean enough to want to." Is deception necessarily "mean" in this play? Is it ever "mean"?

Chew on This

Try on an opinion or two, start a debate, or play the devil’s advocate.

The lies in this play aren't new, off-the-cuff, improvised lies; instead, they have been repeated often enough to be a comfort to the characters who cling to them.

The frequency with which body language and body types betrays the truth behind a bit of dialogue is evidence of a broader theme, throughout the play, of meaning residing primarily in organic, natural expression and environments.

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