Much Ado About Nothing Theme of Marriage
Marriage is front and center in Much Ado About Nothing. In the first scene in the first act, Claudio sets eyes on Hero and intends to marry her. (He moves fast.) The plot thickens: there’s scheming to marry Beatrice and Benedick, to un-marry Hero and Claudio, and then to actually marry Hero and Claudio.
Marriage, though it’s the primary source of the drama, is treated like a necessary thing, otherwise the characters wouldn’t go through all the trouble it takes to get hitched. Still, though marriage is foregone conclusion, it’s also treated lightly as a constant source of jokes. Benedick only teases about marriage so much because it’s such an ever-present part of life. Another central component of marriage is the issue of deception; the butt of the marriage jokes is how everyone cheats on everyone.
Questions About Marriage
- Why are Beatrice and Benedick so adamant about never falling in love? Do their comments stem from their inability to love, or fear of getting married?
- Is marriage a reward or a punishment in the play? Why is it spoken of so negatively, but sought after constantly?
- Why does Hero acquiesce when her father wishes her to marry Don Pedro? What does it mean that she just as easily consents to marry Claudio?
- Could it be argued that Hero’s view of marriage is the exact opposite of Beatrice’s view? What are their respective views?
- Is the meaning of marriage different for the men of the play than the women of the play? How? Is there any common ground?
Chew on This
Beatrice pretends to despise marriage because she’s secretly afraid no one will love her. She is not actually against marriage, she just puts up hatred as a front against rejection.
Beatrice has seen too many women like Hero—women for whom marriage stifles their independent will—to be in favor of marriage. She could marry if she wanted to (as when Don Pedro proposes to her), but the entire institution is contrary to her ideals.