Top 10 Searches on Shmoop for the 2009-10 School Year

July 28th, 2010

Wonder what students and teachers are searching for on Shmoop? We did.

While one might think that pop culture juggernauts like Twilight and Harry Potter might crack the list, we found that the classics still dominate students’ searches.

The list is based on number of searches conducted on the Shmoop website by teachers and students in the past school year.

10 most searched books for the 2009-2010 school year:

  1. The Great Gatsby, by F. Scott Fitzgerald
  2. Hamlet, by William Shakespeare
  3. Macbeth, by William Shakespeare
  4. Lord of the Flies, by William Golding
  5. To Kill a Mockingbird, by Harper Lee
  6. Great Expectations, by Charles Dickens
  7. 1984, by George Orwell
  8. Heart of Darkness, by Joseph Conrad
  9. Frankenstein, by Mary Shelley
  10. Brave New World, by Aldous Huxley

The 25 Best Opening Lines in Western Literature

July 13th, 2010

Introducing a story to a reader is a lot like dropping a pickup line on someone: do it the wrong way and they’ll wind up under the covers with a different… book.

Here to show you how it’s done are the top twenty-five cold openings in Western literature. For some additional insight, we’ve included speculations as to the thought process that might have influenced each author’s writing. Enjoy!

One Hundred Years of Solitude1. Ice, Ice Ba—Whaaat?

Opener: “Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”

Book: One Hundred Years of Solitude

Author: Gabriel García Márquez

Creative Thought Process: Before getting into that whole “ice” thing, unceremoniously mention that Buendía eventually has to stare down a firing squad. That’ll buy at least a hundred pages of curiosity.

Fahrenheit 4512. A Real Page-Burner

Opener: “It was a pleasure to burn.”

Book: Fahrenheit 451

Author: Ray Bradbury

Creative Thought Process: Juxtapose the anarchic verb “to burn” with an alluring noun like “pleasure.” Hope a major cigarette company doesn’t steal the phrase some forty years down the road.

19843. April Cowers

Opener: “It was a bright cold day in April, and the clocks were striking thirteen.”

Book: 1984

Author: George Orwell

Creative Thought Process: To properly set the mood for a futuristic dystopia, combine the elements of springtime, coldness, an unlucky number, and bells tolling. Then, watch people fight over the feasibility of a clock that can strike thirteen.

Beloved4. Post-Partum Possession

Opener: “124 was spiteful. Full of a baby’s venom.”

Book: Beloved

Author: Toni Morrison

Creative Thought Process: Make the subject of the sentence an obscure sequence of numbers to get the reader’s attention. In case that doesn’t work, follow up with a terrifying, baby-related metaphor.

5. F. M. L.

Opener: “As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a monstrous vermin.”

Book: Metamorphosis

Author: Franz Kafka

Creative Thought Process: Ease the reader into Gregor Samsa’s misfortunes by describing his nightsweats about… Meh, skip to the giant cockroach.

The Stranger6. Ve Believe In Nah-sing, Lebowski!

Opener: “Mama died today. Or yesterday maybe, I don’t know.”

Book: The Stranger

Author: Albert Camus

Creative Thought Process: In order to sell the whole involuntary-manslaughter thing, start by making the guy seem detached. Okay, more detached. Just a little more. PERFECT!

The Hobbit7. Hole-y Middle-earth, Batman!

Opener: “In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.”

Book: The Hobbit

Author: J.R.R. Tolkien

Creative Thought Process: In the interest of thoroughness, approach the most epic alternate universe in all of literature by starting with a hole in the ground.

Neuromancer8. Gray-Per-View

Opener: “The sky above the port was the color of television, tuned to a dead channel.”

Book: Neuromancer

Author: William Gibson

Creative Thought Process: Methinks I shall write the greatest opening line ever. Donesies.

9. Out There

Opener: “They’re out there. Black boys in white suits up before me to commit sex acts in the hall and get it mopped up before I can catch them.”

Book: One Flew Over the Cuckoo’s Nest

Author: Ken Kesey

Creative Thought Process: First, open with something that conveys paranoia. Mentioning the ambiguous ol’ “they” is a good start, but driving it home will require something more specific. Hmm…

I Know Why the Caged Bird Sings10. Fragile: Do Not Stack

Opener: “When I was three and Bailey four, we had arrived in the musty little town, wearing tags on our wrists which instructed – ‘To Whom It May Concern’ – that we were Marguerite and Bailey Johnson Jr., from Long Beach, California, en route to Stamps, Arkansas, c/o Mrs. Annie Henderson.”

Book: I Know Why the Caged Bird Sings

Author: Maya Angelou

Creative Thought Process: Casually inform the reader that these children might not be in the best hands. Start by Fed-Ex-ing them 1,600 miles.

Moby Dick11. Hi, My Name Is (WHAT?!)

Opener: “Call me Ishmael.”

Book: Moby-Dick

Author: Herman Melville

Creative Thought Process: Well, you should probably include at least one short sentence.

Anna Karenina12. …Goes To-gether Like a Horse and Car-riage!

Opener: “All happy families are alike; each unhappy family is unhappy in its own way.”

Book: Anna Karenina

Author: Leo Tolstoy

Creative Thought Process: Give the readers an impossibly oversimplified statement about mankind, then sit back and watch them realize that it’s actually true.

The Adventures of Huckleberry Finn13. The Reckonin’

Opener: “You don’t know about me without you have read a book by the name of The Adventures of Tom Sawyer, but that ain’t no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly.”

Book: Adventures of Huckleberry Finn

Author: Mark Twain

Creative Thought Process: Write a 43-chapter novel entirely in rural slang. From the perspective of a 13-year-old boy. Who’s uneducated. While you’re at it, make it the greatest novel in American history.

Pride and Prejudice14. Universal Spoof

Opener: “It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.”

Book: Pride and Prejudice

Author: Jane Austen

Creative Thought Process: Write sarcastically during an era so prudish that future generations will actually mistake you as being serious.

The Catcher in the Rye15. Whatever, Nevermind

Opener: “If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.”

Book: The Catcher in the Rye

Author: J.D. Salinger

Creative Thought Process: Offhandedly trash-talk the classics, gloss over any specifics, and leave everyone wanting more. Make sure Holden, the narrator, is one hundred percent unable to repeat this technique on women.

Lolita16. Great Balls of Fire

Opener: “Lolita, light of my life, fire of my loins. My sin, my soul.”

Book: Lolita

Author: Vladimir Nabokov

Creative Thought Process: Subtly allude to the fact that the love interest is only thirteen by writing her name in the diminutive, “-ita” form. Throwing the word “sin” in there probably isn’t a bad idea either.

The Crow Road17. Bombs Over Bag-Lady

Opener: “It was the day my grandmother exploded.”

Book: The Crow Road

Author: Iain Banks

Creative Thought Process: Open with a bang. Scratch that – open with a violent human combustion. See where it takes you…

Notes from the Underground18. Old Man Liver

Opener: “I am a sick man… I am a spiteful man. I am an unattractive man. I think my liver is diseased.”

Book: Notes from the Underground

Author: Fyodor Dostoevsky

Creative Thought Process: Start with some creepy character building. Sick? Check. Spiteful? Check. Unattractive? Check. TMI? Double check.

A Tale of Two Cities19. Prose In Different Area Codes

Opener: “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.”

Book: A Tale of Two Cities

Author: Charles Dickens

Creative Thought Process: It was earth, it was sky, it was sun, it was moon, it was salt, it was pepper… Um…

Running with Scissors20. That Peaceful, Queasy Feeling

Opener: “My mother is standing in front of the bathroom mirror smelling polished and ready; like Jean Naté, Dippity Do and the waxy sweetness of lipstick. Her white, handgun-shaped blow-dryer is lying on top of the wicker clothes hamper, ticking as it cools. She stands back and smoothes her hands down the front of her swirling, psychedelic Pucci dress, biting the inside of her cheek. ’Damn it,’ she says, ’something isn’t right.’”

Book: Running with Scissors

Author: Augusten Burroughs

Creative Thought Process: Throw the reader into the body of an innocent young kid. Drop some hints that mom may be a lot of work. Buckle up; this ain’t The Brady Bunch.

The Hitchhiker's Guide to the Galaxy21. Nowhere Man

Opener: “Far out in the uncharted backwaters of the unfashionable end of the Western Spiral arm of the Galaxy lies a small unregarded yellow sun. Orbiting this at a distance of roughly ninety-eight million miles is an utterly insignificant little blue-green planet whose ape-descended life forms are so amazingly primitive that they still think digital watches are a pretty neat idea.”

Book: The Hitchhiker’s Guide to the Galaxy

Author: Douglas Adams

Creative Thought Process: Put the readers in their place. You know, light-eons away from anything of significance.

A Portrait of the Artist as a Young Man22. A Nicens Little Title

Opener: “Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo.”

Book: A Portrait of the Artist as a Young Man

Author: James Joyce

Creative Thought Process: What haven’t you tried yet ah yes baby talk that will be new.

Fear and Loathing in Las Vegas23. Road Trippin’

Opener: “We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.”

Book: Fear and Loathing in Las Vegas

Author: Hunter S. Thompson

Creative Thought Process: Dropkick the readers into chaos. Right after dropping some… ahem.

The Old Man and the Sea24. Shark Bait Hoo-Ha-Ha!

Opener: “He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish.”

Book: The Old Man and the Sea

Author: Ernest Hemingway

Creative Thought Process: Write about an old, grizzled man’s man who takes on an entire ocean. To distract everyone from the fact that mother used to dress you as a girl.

Trainspotting25. Scottish Rogue

Opener: “The sweat wis lashing oafay Sick Boy; he wis trembling.”

Book: Trainspotting

Author: Irvine Welsh

Creative Thought Process: If readin aboot heroin junkies disnae make ya sweat, readin throo mah brogue will.

24 New Learning Guides & Teacher’s Editions on Shmoop

July 13th, 2010

In the U.S., many celebrate the anniversary of the nation’s independence (July 4) by grilling dead meat, getting sunburns, and oohing and ahhing over the tiny pyrotechnic displays put on by the youngest cousin at the party.

Here at Shmoop, we brought more than our famous deviled eggs to the party. Kaboom! 13 new Learning Guides and 11 new Teacher’s Editions.

New Literature:

New Poetry:

New Bestsellers:

New Music:

11 New Teacher’s Editions:

Hundreds of free classroom activities (think: intellectual double espresso, minus the chemicals). Plus, for a small per-unit fee, get a hold of our reading quizzes, essay and discussion questions, and current events and pop culture articles.

    Economics Rocks. Play it. Sing it. Love it.

    June 25th, 2010

    Shmoop Launches Economics Curriculum and Games

    Aims to Prepare Tomorrow’s Workforce by Making Economics Fun and Relevant

    Today, we’re opening up the beta test of our newest creation, Shmoop Economics.

    Some may think Economics is a dry subject. We say, “what’s not to love?” Money, power, making difficult decisions, building new businesses, putting food on your plate and creating prosperity for the world. Econ is awesome!

    We have a number of Shmoop firsts with this new subject.

    • Games! Yep, we’ve created role-playing games that put you in the hot seat. Try our Corporations and Stocks Game and see if you can beat the market.
    • Notches! We’ve hidden a number of these in our Econ Games – each Notch is a cartoon that you can post on your Shmoop profile. Shmoop is all about learning, loving, and experiencing life. Notches help commemorate these experiences.
    • Current Events! Every key concept (under the “Analysis” section) includes a passage that takes the concept out of textbook-land and into the real world.
    • Music Videos! Sing it loud. Sometimes a song says it best. What better way to remember opportunity costs than the post-punk classic “Should I Stay or Should I Go?” by The Clash?

    Beta testers – please let us know what you think of Shmoop Econ! Take our Beta tester survey. Enjoy!

    The Shmoop Team

    8 Movie Adaptations that Were Actually Better than the Book

    June 21st, 2010

    No, it doesn’t happen often. Nine times out of ten, what makes a book richer, deeper, and more satisfying than a movie is the same thing that makes a creaky door scarier than an axe-wielding figure in a horror flick: the imagination is much more powerful than the eye.

    Every once in a blue moon, however, a movie adaptation comes along that’s better than the original. Whether this happens because the film was executed masterfully or because the original really needed work… well, that’s for you to decide.

    In chronological order, here are eight great flicks that are better than the works they’re based on:

    1. Dorothy, Get Your Gun

    Movie: The Wizard of Oz (1939)

    Based on: The Wonderful Wizard of Oz, by L. Frank Baum (1900)

    What the Children’s Novel Offered:

    • A creative, engaging story that, according to some interpretations, may be an elaborate allegory about the Populist Party’s efforts to take the US off the gold standard. Or, you know, a children’s book.

    What the Movie Added:

    • Judy Garland. Seriously, her two-minute performance of “Over the Rainbow” is one of the most important moments in film history – and that’s before she even leaves the farm.
    • Ruby slippers. Sorry, L. Frank Baum, but your silver slippers from the novel are sooo 1900.
    • A not-so-subtle smack upside the head for a war-wary American public. In 1939, war was already spilling over the borders of Nazi Germany and Imperial Japan. The US, under President Franklin D. Roosevelt, remained largely isolationist at the time.
      .
      If you buy this interpretation, the film’s impeccably timed message is powerful: it’s time to leave the safety of Kansas, meet your allies on a journey through a foreign land, and fight the Wicked Witches, East and West. Does this interpretation surprise you? Check out this WWII timeline and share your thoughts in the comments. The really fun part of this theory: which countries are represented by the main characters?

    2. Actually, Nobody Really Comes to Rick’s

    Movie: Casablanca (1942)

    Based on: Everybody Comes to Rick’s, by Murray Burnett and Joan Alison (1941)

    What the Play Offered:

    • A good kernel. Although Murray Burnett’s conception of the play was amateurish, the idea of an American ex-pat running a café in an exotic locale – with an anti-Nazi subplot to boot – made it both marketable and relevant in its day.

    What the Movie Added:

    • A much better name. Everybody Comes to Rick’s must either have been a working title or the basis for a CBS sitcom that was way ahead if its time.
    • A more expansive set. The original – which also takes place in Morocco – unfolds almost exclusively inside a cafe, which kind of downplays that whole cross-continental-Nazi-pursuit thing.
    • A wonderfully fleshed-out story. After fifty years of insisting that the play was a rich, fully-developed work that deserved to be shown in its own right, Burnett finally got permission to produce it in 1991. Despite being associated with the Casablanca name, it closed after just one month.

    3. E, F, Gee!

    Movie: Jaws (1975)

    Based on: Jaws, by Peter Benchley (1974)

    What the Novel Offered:

    • A real-world villain. By virtue of actually existing, sharks have the power to influence your life outside the theater (e.g. where you choose to skinny dip / chunky dunk). Going to Tokyo probably won’t put you on red alert for Godzilla, but we bet you’ll be watching for fins when you go to the beach.

    What the Movie Added:

    • The most ambitious special effects of their time. Although Spielberg’s mechanical sharks look kind of… mechanical in retrospect, this big-budget flick permanently raised the bar for movie effects while changing movie blockbusters from a winter into a summer phenomenon.
    • The musical notes E and F. In that order. Repeated over and over at an increasing pace. Without them, Jaws might just be a story about a large fish.

    4. The “Good Parts” Version

    Movie: The Princess Bride (1987)

    Based on: The Princess Bride, by William Goldman (1973)

    What the Novel Offered:

    • Awesome characters, great dialogue, and whimsy. So much whimsy, in fact, that Goldman pretends his novel is a redaction of an older, stuffier book, makes constant observations about the “original,” and then calls his “the ‘good parts’ version.”
    • A line so quotable it needs no introduction: “Hello. My name is Inigo Montoya. You killed my father. Prepare to die.”

    What the Movie Eliminated:

    • Most of the narrative presence. Reading the novel is like watching a movie with the director’s commentary on: the play-by-play is interesting, but sometimes, you just want to get to the dang story already. (That being said, the Princess Bride DVD is also available with, what else, the director’s commentary.)

    5. Pressure and Time

    Movie: The Shawshank Redemption (1994)

    Based on: Rita Hayworth and Shawshank Redemption, by Stephen King (1982)

    What the Novella Offered:

    • An all-around great story. The plot is slow and deep, but surprisingly full of adventure. Which isn’t bad, considering about twenty years of it go by in rooms you could count on one hand.

    What the Movie Added:

    • A slightly better title. Admittedly, going to see an epic-sounding film about “redemption” sounds like a lot more work than going to one about, say, “transformers,” but at least they got the “Rita Hayworth and” out of there.
    • Time. If form is supposed to reflect content, it seems counter-intuitive to write a quick novella about the agonizing passage of two back-to-back life sentences. The movie, on the other hand, lets the story grow on you. So slowly, in fact, that it originally flopped at the box office – only to crawl through the ranks as an all-time favorite in the years following. Redemption: accomplished.

    6. Forrest, Jenny. Peas, Carrots. Tom Hanks, Oscars.

    Movie: Forrest Gump (1994)

    Based on: Forrest Gump, by Winston Groom (1986)

    What the Novel Offered:

    • A sympathetic protagonist as the vessel for a twentieth century US history lesson at break-neck speed. You might think of the novel as the literary granddaddy to Billy Joel’s “We Didn’t Start the Fire.” Through what appears to be dumb luck, Forrest shows up at more important historical events than Christopher Walken does films, making him a great “everyman” character for the twentieth century.

    What the Movie Eliminated:

    • Some of the more absurd plot points. If you cringed when Forrest’s mud-covered face left a perfect smiley on the yellow t-shirt, just be glad they left out the part of the novel where Forrest is stranded on an island populated by a tribe of cannibals.

    7. Love Bites

    Movie: Twilight (2008)

    Based on: Twilight, by Stephenie Meyer (2005)

    What the Novel Offered:

    • A new take on vampires, an intriguing male lead, and sexual tension you could cut with a stake.
    • A genuine understanding of teens. For better or worse, Meyer knows what makes hordes of them tick. And sigh, palpitate, gasp, and tremble.

    What the Movie Eliminated:

    • The writing. Stephenie Meyer has imagination, but let’s face it: as far as great monster lit goes, this isn’t Mary Shelley’s Frankenstein.
    • The first Twilight film lets us indulge in the fantasy / eye candy without getting distracted by the technique.

    8. Just Because You’re Paranoid, Doesn’t Mean They’re Not After You

    Movie: Angels & Demons (2009)

    Based on: Angels & Demons, by Dan Brown (2000)

    What the Book Offered:

    • The classic Dan Brown plot path, which takes you to awesome locales, ties in with history, and gives the more paranoid among us some conspiracy theory for thought.

    What the Movie Added:

    • Great pace. This is something few films succeed in achieving, let alone film adaptations of rushed action novels.
    • A more plausible ending. We won’t give any spoilers here, but suffice it to say that the movie’s final action sequence goes lighter on the “Die-Hard” and heavier on the “humanly possible” than the book.

    Shmoop’s Inaugural Essay Contest. And the iPad Goes to…

    June 21st, 2010

    In the spirit of National Poetry Month this past April, we announced our first-ever Shmoop Essay Contest. We asked high school students to analyze Robert Frost’s “Stopping by Woods on a Snowy Evening.” We were blown away to receive 538 entries from students around the globe.

    Thank-you-thank-you-thank-you to everyone who entered. We loved reading your essays. We’re psyched that you dug down deep to connect with this wonderful poem. We hope that you can’t wait to enter our next Essay Contest later this summer.

    OK, enough stalling. Let’s do this…

    The Champ (winner of a new iPad 3G)

    • Alex K., 12th Grade, Waubonsie Valley High School, Aurora, Illinois

    The Finalists (winners of shirts, assorted Shmoop gear, and a virtual high-five for an awesome job)

    • Amanda W., 11th Grade, Interlake High School, Bellevue, Washington
    • Christopher B., 12th Grade, Winchester Thurston School, Pittsburgh, Pennsylvania
    • Mariella H., 10th Grade, ACS Hillingdon International School, Hillingdon, Middlesex, England
    • Patrick R., 12th Grade, Hoover High School, Hoover, Alabama

    From our esteemed judge… what Jim Burke had to say about Alex’s winning essay

    This is an insightful analysis of not only the poem but the human condition, an analysis that shows a wisdom you are too young to possess! How can you know, let alone write with such insight and elegance, such things? And yet you do. You see into the deeper, darker aspects of Frost’s poem here, finding the existential angst that hides underneath the nature too many people mistakenly think is his real subject. In addition to understanding the poem itself, your writing really shines, offering a compelling range of sentence styles, a commanding grasp of how to use punctuation to affect meaning and emphasize ideas. It’s really remarkable what you accomplished in a mere 500 words. Thanks for the pleasure your paper brought: it helped me see new aspects of a poem I thought I already knew well enough. Congratulations!

    Alex’s Winning Essay

    (Published with permission)

    “The Road Not Snowplowed”

    In Robert Frost’s “Stopping by Woods on a Snowy Evening,” the narrator likens the isolation of his snowbound sojourn to the equal solitude of the poetic soul in the “village” of modern society. The relationships between speaker and surroundings – both immediate and in the grander sense – reveal themselves through Frost’s presentation of setting and equally skillful comparative symbolism. “Stopping by Woods” is more than a poet’s description of an idyllic evening; it is a comment on the extremes to which privacy and isolation drive the human spirit.

    This is not to say the speaker’s isolation is the society-inflicted solitude of the ostracized outcast – far from it. Frost’s narrator chooses to stop and watch the woods as a departure from their assigned duties. The rider, passing the woods in the snow-powdered dark, sees and recognizes the land as familiar: “whose woods these are I think I know.” The narrator goes on to comment that the owner’s house is located elsewhere, away from this place and by logic away from the serene beauty of this spot. Here, Frost notes a separation between humanity and nature. He does not imply that the village also benefits from the wonder of the woods, only that it is somewhere else.

    There is a wistful feel to this second line. It seems that the narrator regrets that the owner of these woods cannot be here to see them as they are. The one who owns the land here stands for the village in which they reside, housed away from the scenic natural wonder of a snowfall at night. Theirs is a world of paved streets and civilization, not a dusting of flakes among the branches. One can almost imply that the narrator pities the absent landowner, for failing to see the woods for the village.

    Even more important, perhaps, the owner “will not see me [the narrator] stopping here.” Tonight, while the speaker rides on whatever thankless errand, they do so alone. There is no other human, no other agent of civilization, with whom the peace of nature can be shared. There is only the horse. Yet the horse is a domesticated thing, a beast of burden, beholden even to the pressures that drive the men in the village much like the spurs that goad the horse to move. The horse appreciates not the woods – he “gives his harness bells a shake/ To ask if there is some mistake.” On a dark night, with the cold freezing the lake beside them, the horse (and by interpretation society) has better things to do than stand around looking at snow.

    So the horse jolts the narrator back to the real world. The errand returns to mind – “I have promises to keep/ And miles to go before I sleep.” Again the specter of society’s expectations return, and the narrator is forced back to the journey. As the horse resumes its trot, we hear the half-despairing refrain, symbolizing the tedium of life, “And miles to go before I sleep.”

    The Teachers Have Spoken: Shmoop’s Summer 2010 Reading List

    June 15th, 2010

    Earlier this year, the Shmoop team lived every student’s most delicious dream – we assigned homework to teachers and librarians. We asked the educators who use Shmoop to nominate titles and vote on our first-ever Shmoop Summer Reading List.

    How’d they do? Well, we’re not trying to be teacher’s pet, but we think this is an A+ list.

    We already have Shmoop Literature Guides for 6 of these novels (click on any linked titles in the list). We’ll add Learning Guides for many more books on this list soon.

    Not sure which book to pick up first? Click the Amazon link to check out reviews and buy a book that catches your interest.

    Enjoy summer break. Read. Howl at the moon. Wear Sunscreen. We’ll see you in the fall (we’ve got a lot new things in store when you return!)

    The Top 20 Books for Students to Read this Summer, as Determined by Educators:

    1. The Hunger Games, by Suzanne Collins
      (View on Amazon)
    2. The Book Thief, by Markus Zusak
      (View on Amazon)
    3. Catching Fire, by Suzanne Collins
      (View on Amazon)
    4. To Kill a Mockingbird, by Harper Lee
      (View on Amazon)
    5. Three Cups of Tea: One Man’s Mission to Promote Peace… One School at a Time, by Greg Mortenson and David Oliver Relin
      (View on Amazon)
    6. The Guernsey Literary and Potato Peel Pie Society, by Mary Ann Shaffer and Annie Barrows
      (View on Amazon)
    7. Life of Pi, by Yann Martel
      (View on Amazon)
    8. The Absolutely True Diary of a Part-Time Indian, by Sherman Alexie
      (View on Amazon)
    9. Ender’s Game, by Orson Scott Card
      (View on Amazon)
    10. The Help, by Kathryn Stockett
      (View on Amazon)
    11. The Count of Monte Cristo, by Alexandre Dumas
      (View on Amazon)
    12. Fahrenheit 451, by Ray Bradbury
      (View on Amazon)
    13. Graceling, by Kristin Cashore
      (View on Amazon)
    14. Unwind, by Neal Shusterman
      (View on Amazon)
    15. Extremely Loud and Incredibly Close, by Jonathan Safran Foer
      (View on Amazon)
    16. Thirteen Reasons Why, by Jay Asher
      (View on Amazon)
    17. The Omnivore’s Dilemma: Young Reader’s Edition, by Michael Pollan
      (View on Amazon)
    18. Sarah’s Key, by Tatiana de Rosnay
      (View on Amazon)
    19. Heart of Darkness, by Joseph Conrad
      (View on Amazon)
    20. When You Reach Me, by Rebecca Stead
      (View on Amazon)

    The Books Behind 2010’s Summer Movies

    June 14th, 2010
    Movies rarely do justice to the books they were based on. Right? Well, ok, sometimes they do (we’re looking at you, The Princess Bride). Don’t take a critic’s word for it (or your opinionated uncle’s word, either). Before you cozy up to a tub of popcorn at your local theater this summer, try cozying up to the books that begat these big screen stories and characters.

    1. Vampires and Werewolves and Squealing Teenage Girls, Oh My!

    Movie: Eclipse

    Tagline: It all begins…with a choice.

    Starring: Kristen Stewart (Bella Swan), Robert Pattinson (Edward Cullen), Taylor Lautner (Jacob Black)

    Coming to Theaters: June 30

    Based on: Stephenie Meyer’s Eclipse

    The Skinny: After the critical failure of New Moon, the second Twilight saga movie, Eclipse directors are attempting a darker, edgier three-quel. Which is fitting, since the story opens with a string of killings, centers around an interspecies war, and ends with – spoiler alert! – other unpleasantries.

    Continuing her surprisingly sinister role as Jane, a Volturi vampire, is the angel-faced starlet Dakota Fanning. That’s right: whereas Pattinson and Stewart will forever struggle to escape their Twilight personas, Fanning is actually using the series to break free from typecasting.

    2. The Girl Who Didn’t Ski Topless

    Movie: The Girl Who Played with Fire (Flickan som lekte med elden)

    Starring: Noomi Rapace (Lisbeth Salander) and Michael Nyqvist (Mikael Blomkvist)

    Coming to Theaters: July 2

    Based on: Stieg Larsson’s Flickan som lekte med elden

    The Skinny: Providing a much-needed alternative to the promiscuous, blonde, meatball-eating Swede of the American imagination, the protagonist of The Girl Who Played with Fire is an awkward, vengeful hacker who finds herself accused of a triple homicide. Oh yeah, and gets sucked into the world of sex trafficking between Sweden and Eastern Europe.

    This adaptation is the second in Larsson’s Millennium series, which begins with The Girl with the Dragon Tattoo. The third movie is set to be released in the US in the fall under the title The Girl Who Kicked the Hornet’s Nest. Unfortunately, Larsson died unexpectedly in 2004 – just three quarters of the way into the fourth novel.

    3. Plasma Bolts and Broomsticks

    Movie: The Sorcerer’s Apprentice

    Starring: Nicolas Cage (Balthazar Blake), Jay Baruchel (Dave Stutler), and Teresa Palmer (Becky Barnes)

    Coming to Theaters: July 14

    Based on: Johann Wolfgang von Goethe’s “Der Zauberlehrling” (a.k.a. “The Sorcerer’s Apprentice”)

    The Skinny: Set in modern-day Manhattan, The Sorcerer’s Apprentice follows a master magician in his quest to find an underling and fight the forces of evil. (Apparently, a college physics student with a dry sense of humor is just what the witchdoctor ordered.) Together, the two take on dragons, a steel eagle, and the guy who played Diego Rivera in Frida.

    Although it does appear to include the now classic out-of-control broom scene, to say that this feature-length film is based on Goethe’s 1797 poem is a bit of a stretch. Even Walt Disney’s 1940 adaptation took its own liberties with the story and it’s not even ten minutes long.

    4. Hey, Little Sister, What Have You Done?

    Movie: Ramona and Beezus

    Tagline: A little sister goes a long way.

    Starring: Joey King and Selena Gomez (Ramona and Beatrice Quimby)

    Coming to Theaters: July 23

    Based on: Beverly Cleary’s Ramona series

    The Skinny: Weaving back and forth between fantasy and realism, Ramona and Beezus explores the mind of a rambunctious third grader struggling not to tick off her older sister. Between exploring the cosmos and packing her bags for Paris, Ramona even manages to put some energy aside to help save her family’s home.

    First created in 1955, Cleary’s Ramona has become a much-loved figure in children’s literature. Hopefully, the fact that Selena Gomez (of Disney Channel fame) plays alongside an unknown child actress won’t turn the heart and soul of the series into a side story.

    5. Knight Owl

    Movie: Legend of the Guardians: The Owls of Ga’Hoole

    Starring: Voices of Jim Sturgess (Soren), Rachael Taylor (Gylfie), and Ryan Kwanten (Kludd)

    Coming to Theaters: September 24 (ok, teeeechnically, not a summer movie… this film opens two days after the autumnal equinox)

    Based on: The first three Guardians of Ga’Hoole books: The Capture, The Journey, and The Rescue

    The Skinny: The Owls of Ga’Hoole is about Soren, a baby owl that is abducted and sent to a re-education camp after getting booted from the nest by Kludd, a nasty older brother whose name happens to be the title for a ranking member of the KKK. Suffice it to say that there’s a lot more to this movie than CG ornithology.

    In the style of the Redwall series, the Ga’Hoole books slyly inject human ethics into a fantasy animal world, meaning that by the end of September, twelve-year-olds across the country will have subliminal lessons in morality pumped into their brains in 3D. And if the first adaptation is a success, fans and producers alike will be happy to hear that there are twelve more Ga’Hoole books to go.

    Our 6 New Literature Teacher’s Editions: Dystopia Made, er, Fun

    June 4th, 2010

    Teachers: once again, we have your backs. Shmoop is here to help you do what you do best – connect with your students. We’ll arm you with current events items, juicy pop culture tidbits, lively classroom activities and assignments (based on state standards), and recommended readings. And we’ll save you a ton of time by providing expertly-crafted Reading Quizzes with Answer Keys and Essay Questions.

    For the Dystopian fans in the house, this week is a doozy (and not in a bombers-buzzing-your-rooftop sorta way). 2 Orwell classics and Bradbury, to boot.

    Teaching 1984, by George Orwell

    Teaching Animal Farm, by George Orwell

    Teaching Fahrenheit 451, by Ray Bradbury

    Teaching Fences, by August Wilson

    Teaching Oedipus the King, by Sophocles

    Teaching “A Rose for Emily“, by William Faulkner

    Stay Gold. The Outsiders & 18 Other New Learning Guides

    June 4th, 2010

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