Ode to the West Wind
How we cite our quotes:
Who chariotest to their dark wintry bed
The wingèd seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o'er the dreaming earth, and fill
[. . .]
With living hues and odours plain and hill (5-10, 12)
The West Wind plants seeds in the ground in the autumn that will germinate next spring. But the seedbeds are like graves, the seeds are like corpses, and their transformation in the Spring is like the resurrection of bodies during the Apocalypse. The Spring wind even blows a "clarion" that reminds us of the Last Trumpet. So there are two kinds of transformation here: the cycle of the seasons, and the linear finality of the Apocalypse. Somehow, Shelley suggests, every spring seems like the end of the world.
there are spread
On the blue surface of thine airy surge,
Like the bright hair uplifted from the head
Of some fierce Mænad, even from the dim verge
Of the horizon to the zenith's height,
The locks of the approaching storm. (18-23)
Shelley introduces yet another kind of transformation into the poem – the breaking of an autumn storm. The entire world, from the sky’s edge to its center, seems affected by this storm, and we know that, whatever the transformation that’s coming actually is, it will be utterly complete and leave nothing unchanged.
For whose path the Atlantic’s level powers
Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know
Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves (36-42)
The West Wind transforms things it touches directly, like the surface of the Atlantic Ocean, but also things that it touches indirectly or that it only affects in a very distant way, like the beds of kelp, seaweed, and other marine plants on the ocean floor.