On the Road
by Jack Kerouac
On the Road Art and Culture Quotes
How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)
At this time, 1947, bop was going like mad all over America. The fellows at the Loop blew, but with a tired air, because bop was somewhere between its Charlie Parker Ornithology period and another period that began with Miles Davis. And as I sat there listening to that sound of the .light which bop has come to represent for all of us, I thought of all my friends from one end of the country to the other and how they were really all in the same vast backyard doing something so frantic and rushing-about. (I.3.2)
Sal uses music as a tool to connect his friends and himself. Throughout his travels across the country, the music is the same wherever he goes.
Flat on my back, I stared straight up at the magnificent firmament, glorying in the time I was making, in how far I had come from sad Bear Mountain after all, and tingling with kicks at the thought of what lay ahead of me in Denver - whatever, whatever it would be. And Mississippi Gene began to sing a song. He sang it in a melodious, quiet voice, with a river accent, and it was simple, just "I got a purty little girl, she’s sweet six-teen, she’s the purti-est thing you ever seen," repeating it with other lines thrown in, all concerning how far he’d been and how he wished he could go back to her but he done lost her.
I said, "Gene, that’s the prettiest song."
"It’s the sweetest I know," he said with a smile.
"I hope you get where you’re going, and be happy when you do."
"I always make out and move along one way or the other." (I.4.63-I.4.67)
Sal connects to other people through music.
And what a wild place it is, with chickenshacks barely big enough to house a jukebox, and the jukebox blowing nothing but blues, bop, and jump. We went up dirty tenement stairs and came to the room of Terry’s friend Margarina, who owed Terry a skirt and a pair of shoes. Margarina was a lovely mulatto; her husband was black as spades and kindly. He went right out and bought a pint of whisky to host me proper. I tried to pay part of it, but he said no. They had two little children. The kids bounced on the bed; it was their play-place. They put their arms around me and looked at me with wonder. The wild humming night of Central Avenue - the night of Hamp’s "Central Avenue Breakdown" - howled and boomed along outside. They were singing in the halls, singing from their windows, just hell be damned and look out. Terry got her clothes and we said good-by. We went down to a chickenshack and played records on the jukebox. (I.13.5)
Sal relies on music the same way he does on alcohol – as a crutch to help him get through difficult times.