One Flew Over The Cuckoo’s Nest
by Ken Kesey
One Flew Over The Cuckoo’s Nest Power Quotes
How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)
I hide in the mop closet and listen, my heart beating in the dark, and I try to keep from getting scared, try to get my thoughts off someplace else—try to think back and remember things about the village and the big Columbia River, think about ah one time Papa and me were hunting birds in a stand of cedar trees near The Dalles. [...] But like always when I try to place my thoughts in the past and hide there, the fear close at hand seeps in through the memory. I can feel that least black boy out there coming up the hall, smelling out for my fear. He opens out his nostrils like black funnels, his outsized head bobbing this way and that as he sniffs, and he sucks in fear from all over the ward. He's smelling me now, I can hear him snort. He don't know where I'm hid, but he's smelling and he's hunting around. I try to keep still. [...]
(Papa tells me to keep still, tells me that the dog senses a bird somewheres right close. We borrowed a pointer dog from a man in The Dalles. All the village dogs are no-'count mongrels, Papa says, fish-gut eaters and no class a-tall; this here dog, he got insteek! I don't say anything, but I already see the bird up in a scrub cedar, hunched in a gray knot of feathers. Dog running in circles underneath, too much smell around for him to point for sure. The bird safe as long as he keeps still. He's holding out pretty good, but the dog keeps sniffing and circling, louder and loser. Then the bird breaks, feathers springing, jumps out of the cedar into the birdshot from Papa's gun.)
The least black boy and one of the bigger ones catch me before I get ten steps out of the mop closet, and drag me back to the shaving room. I don't fight or make any noise. If you yell it's just tougher on you. I hold back the yelling. I hold back till they get to my temples. I'm not sure it's one of those substitute machines and not a shaver till it gets to my temples; then I can't hold back. It's not a will-power thing any more when they get to my temples. It's a ... button, pushed, says Air Raid Air Raid, turns me on so loud it's like no sound, everybody yelling at me, hands over their ears from behind a glass wall, faces working around in talk circles but no sound from the mouths. My sound soaks up all other sound. (1.121-23)
Fear gives the orderlies control over Chief; it helps to make him powerless.
She stops and nods at some of the patients come to stand around and stare out of eyes all red and puffy with sleep. She nods once to each. Precise, automatic gesture. Her face is smooth, calculated, and precision-made, like an expensive baby doll, skin like flesh-colored enamel, blend of white and cream and baby-blue eyes, small nose, pink little nostrils—everything working together except the color on her lips and fingernails, and the size of her bosom. A mistake was made somehow in manufacturing, putting those big, womanly breasts on what would of otherwise been a perfect work, and you can see how bitter she is about it. (1.118)
Ms. Ratched loves perfection and order; the fact that her own body is not perfectly in order, perfectly streamlined, makes her bitter and angry. It makes her feel a loss of control, a loss of power.
But an Admission is a different story. Even the best-behaved Admission is bound to need some work to swing into routine, and, also, you never can tell when just that certain one might come in who's free enough to foul things up right and left, really make a hell of a mess and constitute a threat to the whole smoothness of the outfit. And, like I explain, the Big Nurse gets real put out if anything keeps her outfit from running smooth. (1.4.76)
It takes awhile to work an Admission into the ward life well enough that they fit into Nurse Ratched’s perfectly smooth operation and cease to be a disruption to her supreme reign.