The Picture of Dorian Gray
How we cite our quotes:
As soon as he had left, he rushed to the screen and drew it back. No; there was no further change in the picture. It had received the news of Sibyl Vane's death before he had known of it himself. It was conscious of the events of life as they occurred. The vicious cruelty that marred the fine lines of the mouth had, no doubt, appeared at the very moment that the girl had drunk the poison, whatever it was. Or was it indifferent to results? Did it merely take cognizance of what passed within the soul? He wondered, and hoped that some day he would see the change taking place before his very eyes, shuddering as he hoped it. (8.21)
Dorian's transformation, instead of disturbing him anymore, now fascinates him – he wants to see it happen before his eyes.
"To become the spectator of one's own life, as Harry says, is to escape the suffering of life. I know you are surprised at my talking to you like this. You have not realized how I have developed. I was a schoolboy when you knew me. I am a man now. I have new passions, new thoughts, new ideas. I am different, but you must not like me less. I am changed, but you must always be my friend. Of course, I am very fond of Harry. But I know that you are better than he is. You are not stronger -- you are too much afraid of life -- but you are better. And how happy we used to be together! Don't leave me, Basil, and don't quarrel with me. I am what I am. There is nothing more to be said."
Dorian doesn't just realize that he's changed, he's glad that he has. He seems to think that he has somehow evolved into a better Dorian, and he's unashamed of his "new passions, new thoughts, new ideas.
An exclamation of horror broke from the painter's lips as he saw in the dim light the hideous face on the canvas grinning at him. There was something in its expression that filled him with disgust and loathing. Good heavens! it was Dorian Gray's own face that he was looking at! The horror, whatever it was, had not yet entirely spoiled that marvellous beauty. There was still some gold in the thinning hair and some scarlet on the sensual mouth. The sodden eyes had kept something of the loveliness of their blue, the noble curves had not yet completely passed away from chiselled nostrils and from plastic throat. Yes, it was Dorian himself. But who had done it? He seemed to recognize his own brush-work, and the frame was his own design. The idea was monstrous, yet he felt afraid. He seized the lighted candle, and held it to the picture. In the left-hand corner was his own name, traced in long letters of bright vermilion.
It was some foul parody, some infamous ignoble satire. He had never done that. Still, it was his own picture. He knew it, and he felt as if his blood had changed in a moment from fire to sluggish ice. His own picture! What did it mean? Why had it altered? (13.5-6)
Finally, Basil comes face to painted face with Dorian's real soul, and, finally, he sees what he's been denying all along. His horror and shock are those of betrayal; he'd believed in Dorian all these years, only to find that all the rumors are true – Dorian has become a monster.