Portrait d'une Femme
The title tells us that this poem is a portrait of a woman, so we should have a pretty good sense of who this woman by the end, right? Um...not really. "Portrait d'une Femme" ends with the line, "Yet this is you" (30), but we're not really clear what "this" means. The speaker doesn't describe the woman so that we can say, "OK, her name is Liza, she grew up in California, she's a bit shy but very funny, and she likes the color blue." Instead, we get a mishmash of the speaker describing what are probably her social interactions and possessions alongside various objects floating around on the sea. In fact, we even have a hard time distinguishing between straightforward description and pure metaphor. Clearly a conventional sense of identity doesn't work here; the poem shows us a very different process in determining and characterizing a person.
Questions About Identity
- The title names the "you" in the poem as "une femme," which initially makes her gender her most defining characteristic. Does any indication of womanhood or femininity occur in the rest of the poem? How important does gender seem to be in the overall picture of the woman's identity?
- Do you see any markers of the woman's social class in this poem? What about the speaker's?
- Describe how you imagine the woman. What does she look like? Where is she from (England, France, America)? In what setting do you see her (a living room, a restaurant, an office)? What kinds of people surround her?
- What is the speaker's relationship to the woman? In what kinds of situations do you picture him encountering her?
Chew on This
The speaker's empathy with the "femme" makes clear that the speaker is also a woman.
We can read the poem as a long list of images and experiences that belong somehow to the woman (her "great store" of "riches"), and yet the poem concludes by saying that nothing is quite her own. This suggests that the woman's most defining characteristic is her dissatisfaction – she constantly feels that she is lacking something.