| Quote #4
He tosses the coin to GUIL who catches it. Simultaneously – a lighting change sufficient to alter the exterior mood into interior, but nothing violent. (1.285)
This lighting change, which precedes Hamlet and Ophelia's first entrance on stage, is meant to suggest something about how the setting is changing. What does it suggest? How many different realities are at work in the play and how do they come into contact?
| Quote #5
GUIL: All your life you live so close to truth, it becomes a permanent blur in the corner of your eye, and when something nudges it into outline it is like being ambushed by a grotesque. (1.315)
Is there a difference between truth and reality in the play? How do we live so close to truth without actually noticing it?
| Quote #6
PLAYER: There's a design at work in all art – surely you know that? Events must play themselves out to aesthetic, moral and logical conclusion. (2.310)
Is this true of art? Is this the way that art differs from reality? Is it possible to make art out of reality?