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The Adventures of Sherlock Holmes

The Adventures of Sherlock Holmes


by Sir Arthur Conan Doyle

The Adventures of Sherlock Holmes Drugs and Alcohol Quotes

How we cite our quotes: Citations follow this format: (Story.Paragraph)

Quote #1

My own complete happiness, and the home-centred interests which rise up around the man who first finds himself master of his own establishment, were sufficient to absorb all my attention, while Holmes, who loathed every form of society with his whole Bohemian soul, remained in our lodgings in Baker Street, buried among his old books, and alternating from week to week between cocaine and ambition, the drowsiness of the drug, and the fierce energy of his own keen nature (Scandal.1.2).

You can really see the difference in the acceptability of cocaine when Conan Doyle wrote these stories as opposed to now. It's so matter-of-fact that Holmes spends about half his time taking drugs to relieve his boredom, as though cocaine were the same thing as Sudoku or a good crossword puzzle. Something else that's really key about Holmes's drug use is that it signals how far outside of society (as represented by Watson's "home-centred interests") he likes to live: "his whole Bohemian soul" alternates "from week to week between cocaine and ambition."

Quote #2

Isa Whitney, brother of the late Elias Whitney, D.D., Principal of the Theological College of St. George's, was much addicted to opium. The habit grew upon him, as I understand, from some foolish freak when he was at college; for having read De Quincey's description of his dreams and sensations, he had drenched his tobacco with laudanum in an attempt to produce the same effects. He found, as so many more have done, that the practice is easier to attain than to get rid of, and for many years he continued to be a slave to the drug, an object of mingled horror and pity to his friends and relatives. I can see him now, with yellow, pasty face, drooping lids, and pin-point pupils, all huddled in a chair, the wreck and ruin of a noble man (Twisted.1).

(Thomas De Quincey, by the way, is the author of an extraordinary memoir called The Confessions of an English Opium Eater.) In addition to being a vivid depiction of a man ruining his life through drug use, there's something else that's neat about this passage. Why is Watson – usually such an economical narrator – starting a Holmes story with this long bit about opium addiction at all? Here's where we're reminded that Conan Doyle was a doctor: this passage reads like a PSA against drug use. And considering that the British Empire continued to run a thriving opium trade right up until 1910 , you can see why this concerned doctor was trying to scare people into not taking it. While cocaine and opium may be over-the-counter medicines while Conan Doyle was writing, he still didn't want us to think that he likes them.

Quote #3

It was not the first time that [Kate Whitney] had spoken to us of her husband's trouble, to me as a doctor, to my wife as an old friend and school companion. We soothed and comforted her by such words as we could find. Did she know where her husband was? Was it possible that we could bring him back to her?

It seems that it was. She had the surest information that of late he had, when the fit was on him, made use of an opium den in the farthest east of the City. […] There he was to be found, she was sure of it, at the Bar of Gold, in Upper Swandam Lane. But what was she to do? How could she, a young and timid woman, make her way into such a place and pluck her husband out from among the ruffians who surrounded him? (Twisted.11-2).

The layout of London itself contributes to portrayals of drug abuse by providing a physical location, an actual section of the city, for men to escape their family responsibilities and get high. You definitely don't see Conan Doyle representing opium use in the English countryside – this is a problem that belongs strictly to multicultural, cosmopolitan London. Something else that's striking about this passage is the appearance of Kate Whitney as an "Angel In the House" (see our theme on "Women and Femininity"): she's timid, domestic, and sweet.

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