Page (4 of 5) Quotes:
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How we cite the quotes:
(Line). We used James Winny's 2004 translation.
| Quote #10 Hardly had he caught sight through the trees of a moated building Standing over a field, on a mound, surrounded by boughs Of many a massive tree-trunk enclosing the moat: The most splendid castle ever owned by a knight, Set on a meadow, a park all around, Closely guarded by a spiked palisade That encircled many trees for more than two miles. That side of the castle Sir Gawain surveyed As it shimmered and shone through the fine oaks. (763 - 772) |
When the castle appears to Gawain, tired and cold after over a month of wandering through an enchanted wilderness, it’s a sight too good to be true. In fact, it shimmers like a mirage in the distance, probably indicating that magic has some role to play in its existence.
| Quote #11 Gawain studied the man who greeted him courteously, And thought him a bold one who governed the castle, A great-sized knight indeed, in the prime of life; Broad and glossy was his beard, all reddish-brown, Stern-faced, standing firmly on powerful legs; With a face fierce as fire, and noble in speech, Who truly seemed capable, it appeared to Gawain, Of being master of a castle with outstanding knights. (843 - 849) |
In medieval romance (and a lot of medieval literature more generally), a man’s appearance matters. The healthy, powerful appearance of the lord of the castle indicate his fitness as a lord, a capability Gawain notes approvingly.
| Quote #12 [Attendants] took him to a fine bedroom with marvellous bedding; Curtains of pure silk with shining gold borders, And elaborate coverlets with splendid facing Of bright ermine on top, embroidered all around; Curtains on golden rings, running on cords. Walls covered with hangings from Tharsia and Toulouse And underfoot on the floor of a matching kind. (853 - 859) |
As do the decorations in Arthur’s court, the richness of the chamber in which Lord Bertilak places Gawain indicate his wealth and influence. The wall-hangings from Tars and France indicate the kingdom’s access to international trade, a strange detail in a palace that appears to be in the middle of nowhere.