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Analysis

Sometimes, there’s more to Lit than meets the eye.

Weather

Over the course of the story, the weather in "Spring in Fialta," shifts from a "cloudy and dull" start to a "saturated with sunshine" finish. It’s also interesting to look at the hints we get...

The Circus Posters

Much like the hints we get as to the shift in Fialta’s weather, we get a number of indications that the circus is a big deal in "Spring in Fialta." We counted five. But we probably missed one...

Trains and Train Stations

In a story about transience, train stations are going to be important. There isn’t much to add to Victor’s comments, which pretty much speak for themselves. Victor first introduces Nina...

Color

We argue in "Style" that "Spring in Fialta" is sort of like a painting or mosaic; it’s a piece of art. If this is true, then its palette has two basic color groups: blues/purples, and reds/or...

The Passage of Time in the Narrative

Time is going to be a little off in any story that largely features memory. But notice that things start to get really screwy towards the end of "Spring in Fialta," in the scene where Victor and Ni...

The Yellow "Icarus" Car

When Victor sees the car that will later bring Nina to her death, he describes it as "a long yellow-bodied Icarus." He’s referring to the model, it seems, but of course it’s the name it...

The Cypress Tree

The cypress tree is mentioned twice in "Spring in Fialta," in the very first paragraph, and again in the very last. Funny how that works. Victor says that it "indicat[es] the way" to Fialta, which...
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