What we’re getting at here in our discussion of "Tone" is Williams’s attitude toward his protagonist, Blanche DuBois. We admit that Blanche comes off as quite silly for a good chunk of the text (spraying Stanley with her perfume, flirting with the men at the poker table), but it’s actually more tear-jerking than laughable. We feel bad for her – and probably embarrassed on her behalf. The rape in Scene Ten and the broken-down Blanche in Scene Eleven is what really drives the point home, and what convinces us that the play takes a sympathetic approach – not a ridiculing one – to this fading Southern belle.