How we cite our quotes:
Her marriage to Leonce Pontellier was purely an accident, in this respect resembling many other marriages which masquerade as the decrees of Fate. It was in the midst of her secret great passion that she met him. He fell in love, as men are in the habit of doing, and pressed his suit with an earnestness and an ardor which left nothing to be desired. He pleased her; his absolute devotion flattered her. She fancied there was a sympathy of thought and taste between them, in which fancy she was mistaken. Add to this the violent opposition of her father and her sister Margaret to her marriage with a Catholic, and we need seek no further for the motives which led her to accept Monsieur Pontellier for her husband. (7.29)
For Mr. Pontellier, falling in love is neither serious nor lasting.
The lovers were just entering the grounds of the pension. They were leaning toward each other as the wateroaks bent from the sea. There was not a particle of earth beneath their feet. Their heads might have been turned upside-down, so absolutely did they tread upon blue ether. The lady in black, creeping behind them, looked a trifle paler and more jaded than usual. (8.18)
By this point in the text, it’s getting kind of creepy that the lady in black is always a few steps behind the young lovers. This seems to symbolize that the state of happy couple-hood doesn’t last forever.