by Kate Chopin
The Awakening Respect and Reputation Quotes
How we cite our quotes: Citations follow this format: (Chapter.Paragraph)
Mrs. Pontellier's mind was quite at rest concerning the present material needs of her children, and she could not see the use of anticipating and making winter night garments the subject of her summer meditations. But she did not want to appear unamiable and uninterested, so she had brought forth newspapers, which she spread upon the floor of the gallery, and under Madame Ratignolle's directions she had cut a pattern of the impervious garment. (4.7)
Edna has no interest in sewing clothes for her children, but she fakes an interest in order to make a good impression on her friend Adele.
"Oh, enough, Robert!" she broke into his heated outburst. "You are not thinking of what you are saying. You speak with about as little reflection as we might expect from one of those children down there playing in the sand. If your attentions to any married women here were ever offered with any intention of being convincing, you would not be the gentleman we all know you to be, and you would be unfit to associate with the wives and daughters of the people who trust you." (8.9)
Adele argues that in order to avoid a bad reputation in society, Robert should drop his pursuit of Edna.
The Pontelliers possessed a very charming home on Esplanade Street in New Orleans. It was a large, double cottage, with a broad front veranda, whose round, fluted columns supported the sloping roof. The house was painted a dazzling white; the outside shutters, or jalousies, were green. In the yard, which was kept scrupulously neat, were flowers and plants of every description which flourishes in South Louisiana. Within doors the appointments were perfect after the conventional type. The softest carpets and rugs covered the floors; rich and tasteful draperies hung at doors and windows. There were paintings, selected with judgment and discrimination, upon the walls. The cut glass, the silver, the heavy damask which daily appeared upon the table were the envy of many women whose husbands were less generous than Mr. Pontellier.
Mr. Pontellier was very fond of walking about his house examining its various appointments and details, to see that nothing was amiss. He greatly valued his possessions, chiefly because they were his, and derived genuine pleasure from contemplating a painting, a statuette, a rare lace curtain--no matter what--after he had bought it and placed it among his household gods.
On Tuesday afternoons--Tuesday being Mrs. Pontellier's reception day--there was a constant stream of callers--women who came in carriages or in the street cars, or walked when the air was soft and distance permitted. A light-colored mulatto boy, in dress coat and bearing a diminutive silver tray for the reception of cards, admitted them. A maid, in white fluted cap, offered the callers liqueur, coffee, or chocolate, as they might desire. Mrs. Pontellier, attired in a handsome reception gown, remained in the drawing-room the entire afternoon receiving her visitors. Men sometimes called in the evening with their wives.
This had been the programme which Mrs. Pontellier had religiously followed since her marriage, six years before. Certain evenings during the week she and her husband attended the opera or sometimes the play. (17.1-4)
The Pontelliers keep up with the ritual of calling in order to maintain their reputations as respectable members of society.