unigo_skin
© 2014 Shmoop University, Inc. All rights reserved.
 

Themes

The pursuit of immortality drives much of the conflict in The Fall. The narrator is admittedly in love with himself, and the thought of his own death torments him. He finds himself struggling to deal with a set of paradoxical facts, including: men will never take you seriously until you’re dead, but once you’re dead, you can’t stick around to enjoy it. According to the narrator, death is a great way to make your point, but it’s likely that men will misinterpret the reasons of your martyrdom, meaning you have died in vain. The narrator seeks moments of immortality in a variety ways (i.e., sex and alcohol). Moments of debauchery, he claims, are the moments when you are most freed from your own mortality.

Questions About Mortality

  1. Why does Jean-Baptiste fear death?
  2. Jean-Baptiste claims that debauchery confers momentary immortality. What is he talking about when he refers to the "lucid intoxication" of such moments (5.7)? Does this have something to do with Jean-Baptiste’s claim that "the act of love […] is a confession" (3.27)?
  3. What is the relationship between vanity and the desire for immortality?
  4. Does Jean-Baptiste successfully win himself immortality through his "confession"?

Chew on This

Try on an opinion or two, start a debate, or play the devil’s advocate.

All of Jean-Baptiste’s actions are driven by the fear of death. Every other "motive" is simply the result of this fear.

Advertisement
Advertisement
Advertisement
back to top