| Quote #1
Shedding white rings of tumult, building high
The speaker creates a contrast between the small white seagull and the grandeur of New York harbor that it soars above. The bird "builds" its flight around the Statue of Liberty, but the language is ambiguous. It sounds like the bird itself is creating a visual symbol of liberty. It breaks free of the "chains" of the shadow of the bridge's cables on the water. Go seagull, go!
| Quote #2
And Thee, across the harbor, silver-paced
Whoa, this is super-Romantic language, or maybe even super-duper Romantic. (These are technical terms here, people). Actually, the technical term for the way a speaker uses language in a poem is "diction." This speaker's diction is very serious and elevated. He is consciously trying to sound like a 19th century British Romantic like John Keats, or maybe even a poet from Ancient Greece, where the ode form was invented.
| Quote #3
And obscure as that heaven of the Jews,
One way the speaker shows his awe for the bridge is by comparing it to a mysterious religious object, rather than seeing it as a mere heap of stone and metal. In lines 27-28 there is also a subtle allusion to royalty, as if we should be addressing the bridge as Your Majesty.