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"Great bodies of people are never responsible for what they do. They are driven by instincts which are not within their control. They too, the patriarchs, the professors, had endless difficulties, terrible drawbacks to contend with. Their education had been in some ways as faulty as my own. It had bred in them defects as great. True, they had money and power, but only at the cost of harbouring in their breasts an eagle, a vulture, for ever tearing the liver out and plucking at the lungs—the instinct for possession, the rage for acquisition which drives them to desire other people's fields and goods perpetually; to make frontiers and flags; battleships and poison gas; to offer up their own lives and their children's lives."
"When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Brontë who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. Indeed, I would venture to guess that Anon, who wrote so many poems without singing them, was often a woman."
"She gazed back over the sea, at the island. But the leaf was losing its sharpness. It was very small; it was very distant. The sea was more important now than the shore. Waves were all round them, tossing and sinking, with a log wallowing down one wave; a gull riding on another. About here, she thought, dabbling her fingers in the water, a ship had sunk, and she murmured, dreamily half asleep, how we perished, each alone."
"I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone: I just miss you, in a quite simple desperate human way. … It is incredible how essential to me you have become. I suppose you are accustomed to people saying these things. Damn you, spoilt creature; I shan't make you love me any the more by giving myself away like this --But oh my dear, I can't be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I don't love. I have brought it to a fine art. But you have broken down my defences. And I don't really resent it."
"She was adorable as a friend: she had perhaps more than she knew to spare. ... Nor could she herself wish, through the long run of eternity, to revoke or cancel out any joy she gave. For the spring and principle of her art was joy."
"It happens so often—or so seldom—in life, as we move among the trees, up and down the known and unknown paths, across the lawns and into the shade and out again, that something—for no reason that we can discover—gives up pause. Why is it that, thinking back upon that July afternoon, we see so distinctly that flower-bed? We must have passed myriads of flowers that day; why do these particular ones return? It is true, we stopped in front of them, and talked a little and then moved on. But though we weren't conscious of it at the time, something was happening—something…"
"The interior of its characters' lives is where we experience everything. And in the subjective—contrary to what so many authors find there—lies its clarity…. Inside, in this novel's multiple, time-affected view, is ever more boundless and more mysterious than Outside. And for the author, who is throughout this novel writing in her deepest element, there is more to risk, and farther to go."