Page (3 of 5) Quotes:
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How we cite the quotes:
Citations follow this format: (Act.Line). Every time a character talks counts as one line, even if what they say turns into a long monologue.
| Quote #7 ESTRAGON It'd be better if we parted. VLADIMIR You always say that and you always come crawling back. ESTRAGON The best thing would be to kill me, like the other. VLADIMIR What other? (Pause.) What other? ESTRAGON Like billions of others. VLADIMIR (sententious) To every man his little cross. (He sighs.) Till he dies. (Afterthought.) And is forgotten. (2.85-91) |
Both men seem to see death as some sort of relief or end; for Estragon, it is "the best thing," or for Vladimir it is the end of each man’s personal crucifixion. It follows, then, that they are not only waiting for Godot, but waiting for death.
| Quote #8 ESTRAGON All the dead voices. VLADIMIR They make a noise like wings. ESTRAGON Like leaves. VLADIMIR Like sand. ESTRAGON Like leaves. Silence. VLADIMIR They all speak at once. ESTRAGON Each one to itself. Silence. VLADIMIR Rather they whisper. ESTRAGON They rustle. VLADIMIR They murmur. ESTRAGON They rustle. Silence. VLADIMIR What do they say? ESTRAGON They talk about their lives. VLADIMIR To have lived is not enough for them. ESTRAGON They have to talk about it. VLADIMIR To be dead is not enough for them. ESTRAGON It is not sufficient. Silence. VLADIMIR They make a noise like feathers. ESTRAGON Like leaves. VLADIMIR Likes ashes. ESTRAGON Like leaves. (2.98-118) |
This is arguably the darkest moment in Waiting for Godot, and it pretty much comes out of nowhere. It is disturbing that both men are in utter agreement about the voices they hear; it means either that the noises of the dead are a real, shared experience, or that one man is willing to indulge the macabre fantasies of the other. Check out the three pairings of repetition in Estragon’s line. First "like leaves" is repeated twice, then "they rustle," and finally "like leaves" yet again. The repetition is par for the course in Waiting for Godot – a reminder of cycles and absurdity. But the image of leaves is also cyclic – just think about the tree which has sprouted overnight.
| Quote #9 ESTRAGON Well? If we gave thanks for our mercies? VLADIMIR What is terrible is to have thought. ESTRAGON But did that ever happen to us? VLADIMIR Where are all these corpses from? ESTRAGON These skeletons. VLADIMIR Tell me that. ESTRAGON True. VLADIMIR We must have thought a little. ESTRAGON At the very beginning. VLADIMIR A charnel-house! A charnel-house! ESTRAGON You don't have to look. VLADIMIR You can't help looking. ESTRAGON True. (2.154-166) |
Images of death and decay are thrown arbitrarily into otherwise unrelated dialogue in Waiting for Godot. This is what makes the discussions (of corpses, in this particular case) so disturbing, but it reiterates a main thematic point of the play: that death in fact is arbitrary and without justification.