Analysis: Plot Analysis
Most good stories start with a fundamental list of ingredients: the initial situation, conflict, complication, climax, suspense, denouement, and conclusion. Great writers sometimes shake up the recipe and add some spice.
Lockwood meets Heathcliff at Wuthering Heights and, forced to spend the night, describes mysterious happenings in the house.
Lockwood arrives at Wuthering Heights to become a tenant at Thrushcross Grange, owned by the surly but provocative Heathcliff. He is recording all of these events in his diary so, in a sense, we are reading his private notes. Lockwood reveals that he had a failed romance at the seaside. That's pretty much all we ever find out about him, because he is way more interested in the goings-on at the two houses.
He sleeps one night at the Heights, where a ghost named Catherine Linton haunts him. Then he establishes himself at Thrushcross Grange, where he eagerly listens to the story of the Lintons and the Earnshaws as told by his housekeeper, Nelly Dean.
Mr. Earnshaw brings Heathcliff home to live with his wife and two children, the latter of whom are not happy about their new brother.
Mr. Earnshaw brings home a little child whom he claims to have found in the streets of Liverpool—though it's possible that the boy, Heathcliff, is his own illegitimate son. His own children, Cathy and Hindley, do not like the boy. In fact, no one likes him. He is labeled a "gipsy," an "imp of Satan," and all sorts of other cruel names. Finally, Cathy warms up to him, and they console each other after Mr. Earnshaw dies and Hindley becomes a raging jerk.
One day Catherine and Heathcliff venture down to Thrushcross Grange to spy on the Linton children. Upon discovering the intruders, they embrace Catherine and reject Heathcliff.
While Heathcliff has always been treated like an outsider, at least he had Catherine. But when she meets the Lintons, she becomes socially ambitious. She wants to be a lady of the house—something that would never happen if she married Heathcliff. So even though she really loves Heathcliff, Catherine decides to marry Edgar. Heathcliff disappears for three years, and it's never entirely clear where he goes.
Heathcliff returns as in love with Catherine as ever, but he marries Edgar's sister, Isabella, so he can get their property.
The climax lasts a long time because Catherine gets a "brain fever" from all of the stress of Heathcliff and Edgar arguing—and from the fact that she is not with the man she really loves. After a wrenching reunion with Heathcliff, Catherine gives birth to Catherine (Cathy) Linton, and then she dies. Heathcliff begs her ghost to torment him for the rest of his days.
Now what? Catherine is dead, so what does Heathcliff have to live for?
With the love of his life dead, Heathcliff dedicates himself full-time to revenge, most particularly on Hindley, the brother who made his childhood a living hell, always reminding him of his status as swarthy interloper. Part of his revenge consists of getting his sickly son to marry Catherine Linton—that way he will get Thrushcross Grange too.
Heathcliff achieves his goal of becoming master of the two houses. Then he dies.
Having spent every last ounce of energy driving Hindley into the grave and gaining control of the house (and losing his wife and son along the way), Heathcliff is left with two housemates—his nephew Hareton Earnshaw, and his daughter-in-law Cathy Heathcliff. He admits to Nelly that all the vengeance has exhausted him and, after some seriously strange behavior, he dies in Catherine's bed.
Hareton Earnshaw and Cathy Heathcliff inherit the houses.
The whole nasty property and inheritance tangle is sorted out when Heathcliff dies and the houses revert to their proper owners—Hareton Earnshaw and Cathy Heathcliff. Brontë offers some nice, neat closure with the impending marriage of these two youngsters. She also offers some unsettling conclusions by reuniting Heathcliff and Catherine Linton in death and suggesting that they will haunt the moors together. If this were a movie, we'd almost expect a sequel.