Study Guide

Sunrise Over Fallujah Themes

By Walter Dean Myers

  • Warfare

    This is Birdy's first war. The only combat experience he previously had was at training, when he knew nothing was real. Sometimes, training only involved shooting on a screen, like in a video game.

    Real war? Completely different.

    In Sunrise Over Fallujah, Birdy has to get used to seeing people die, up close and personal. People he or his squad killed. Sometimes, innocent people. And one of the things that's complicated about the Iraq War is that Birdy and the American troops don't always know who their enemies are. Some people have weapons in their house because they bought them a long time ago, but others used them to kill Americans.

    With a situation like that, hurting or imprisoning at least a few innocent people is pretty much inevitable.

    Questions About Warfare

    1. How do officers explain civilian casualties?
    2. Why does playing soccer make Birdy feel human? For him, what's the opposite of feeling that way?
    3. Do you think Roberts really had to kidnap children to keep his men safe?
    4. How are IEDs different from the way war is shown in movies or on TV?

    Chew on This

    Nothing short of going into combat could have prepared Birdy for war.

    The guerilla tactics of the Iraqis who set off IEDs are what makes the Iraq War different from wars of the past.

  • Gender

    From the American Revolution on, women have served in support roles for the army, but they weren't accepted into active combat until after the Vietnam War. So by the time of the Iraq War, they'd only been in the army for thirty years. (Source)

    The women in Sunrise Over Fallujah are (for the most part) good soldiers—sometimes tougher than the men around them. But there aren't that many of them compared to men, and they're in an army that is still learning to adjust to them. Plus, they're soldiers in a country where women's roles are much more limited.

    What does that add up to? All sorts of casual sexism.

    Questions About Gender

    1. Why do you think Rose refers to the entire unit by calling them "men?"
    2. If he could be the one making the decision, do you think Birdy would allow women into active duty?
    3. Why is Miller angry that women are purposely sent on Civil Affairs missions to villages?
    4. When Jonesy defends women to Harris, what does that reveal about his character?

    Chew on This

    The women in Sunrise Over Fallujah represent a minority of the military but prove to be strong enough to hold their ground against their male companions.

    Sunrise Over Fallujah reveals deeply-rooted sexism still present in modern day, particularly through Birdy's well-meant but misguided perception of women.

  • Race

    As a Black American, Birdy's position in the Iraq War is complicated. He's an American, but often, he looks more like the Iraqis than some of the people in his own unit. He also understands what it's like to be oppressed, so he sometimes feels weird playing the role of the invader.

    Birdy isn't alone in this. Plenty of other soldiers in Sunrise Over Fallujah are Black, including his best friend Jonesy. And then there's Ahmed, who might feel even more in the middle, with his Islamic name and ability to speak Arabic. Race isn't a major subject in this book, but in little ways, it keeps coming up.

    Questions About Race

    1. Why does Marla bring up Birdy's dark skin?
    2. Why do Jonesy and Birdy throw Pendleton shade after he refers to Jamil as a slave?
    3. How does Birdy feel when soldiers keep assuming he's Iraqi?
    4. How does Birdy compare some of his experiences to those of the Iraqis?

    Chew on This

    The author uses Jonesy's character and dialogue to compare the plight of the Iraqis to what's it's like to be Black in America.

    The soldiers are being a little racist when they keep feeling the need to point out Birdy's Iraqi-like dark skin.

  • Visions of Iraq

    Like most American soldiers, Birdy sees Iraq as an outsider looking in. His impressions are mostly first impressions—he doesn't have a deep understanding of the country.

    They're also visions of a very specific Iraq, the country during wartime. Plenty of times in Sunrise Over Fallujah, Birdy's blown away by the beautiful, open desert land and sky, or the picturesque villages.

    But there are also plenty of ruins and destruction from the bombings. And let's not forget that Birdy's visions are constantly clouded by the fear that he could die at any moment. It sounds paranoid but, in his case, it's the truth.

    Questions About Visions of Iraq

    1. How do Birdy's descriptions of landscapes in Iraq warn readers about what's coming?
    2. What are some ways in which the smaller villages in Iraq differ from Bagdad? How does Iraq differ from Kuwait City?
    3. What tidbits do we learn about the lifestyles of Iraqis in different places?
    4. Why does Jonesy compare the level of security on houses in Baghdad to New York City?

    Chew on This

    The dust storm that happens early in the unit's trip into Iraq symbolizes the war.

    As Birdy gets depressed about the war, his descriptions of the landscape grow sadder.

  • Religion

    Being surrounded by death has the tendency to make a person think about religion, since most religions usually have ideas about how the soul lives on after death. Birdy doesn't think about the soul that much, but he does think about God, and how to make sense of his belief in God and the horrors he sees.

    Jonesy, a preacher's son, is having the same struggle. He tries to pretend he doesn't care, but he's not fooling anybody.

    Just to complicate things even more, Iraq is a predominantly Muslim country. There are plenty of citizens who are trying to live a peaceful version of Islam, but there are others who think of the Americans as godless enemies.

    All these issues are shown in Sunrise Over Fallujah, but none of them have easy answers. The author simply gives his readers a lot to think about.

    Questions About Religion

    1. Why does Jonesy keep asking Birdy about whether he's religious?
    2. When asked Jonesy's religion at his funeral, why does Miller call him "a blues man?"
    3. Why does Omar make a special effort to call the soldiers infidels?
    4. What shakes Birdy's faith in God by the end of the story?

    Chew on This

    Jonesy is more religious than he lets on to the others.

    For Jonesy, blues is a religion.

  • Courage

    People keep calling Birdy a hero-type, which bothers him. You might say the guy can't take a compliment, but really, he doesn't see it as true. He's never felt more afraid than he does during the Iraq War, and he spends a lot of energy trying to hide that fear and sadness from others.

    But whatever your definition of heroism is, there are plenty of small, brave acts in Sunrise Over Fallujah, like when Miller decides to treat wounded Iraqi children even though it might be a trap, or when Jonesy runs into fire to help the blind child.

    Those acts take courage, and Birdy gets to witness them.

    Questions About Courage

    1. Why doesn't Jonesy want to watch the back of a "hero-type?"
    2. How does Birdy's definition of heroism change from the beginning to end of this book?
    3. What does Birdy mean when he says it's a private war?
    4. How does Birdy differentiate between fear and terror?

    Chew on This

    All of the soldiers in Birdy's unit—Jonesy, Miller, Marla, and even Harris—are heroes.

    Jonesy rushing toward the blind children was not an act of heroism.

  • Guilt and Blame

    For Birdy, guilt is a feeling that goes along with war. He can't have war without guilt. Throughout Sunrise Over Fallujah, he feels bad that others die while he doesn't, and that he didn't treat his fallen peers better when they were alive. He feels for the Iraqi civilians too. He knows a lot of children are getting hurt, and that it's often his army's fault.

    We wish we could tell Birdy it's not his fault. It's not like he started the war, or that people wouldn't be doing what he's doing if he hadn't decided to go. But even if we could talk to fictional characters, it probably wouldn't help. Guilt is a natural reaction to intense situations like war.

    Questions About Guilt and Blame

    1. Why did Birdy's unit feel conflicted about offering money to the villagers whose children had been killed?
    2. Why does Birdy fixate so much on not having looked at Pendleton's pictures?
    3. Why do you think Birdy keeps trying to reach out to his dad?
    4. Do you think the army was justified in killing the kid who had the rocket launcher?

    Chew on This

    Captain Miller is right that the American army lets itself off too easily when it comes to killing civilians.

    Guilt is a natural reaction to serving in a war.

  • Manipulation

    In Sunrise Over Fallujah, most of the manipulation comes from the media. Birdy and the other soldier notice it pretty quickly, since they are seeing things in Iraq that the media isn't reporting. The news reports are pretty rosy. They show low death counts on the American side and Iraqis cheering for them. The message they're trying to send is clear: America is winning by a landslide.

    But is that really what's happening?

    Questions About Manipulation

    1. How might Americans watching at home have interpreted the news image of Iraqis tearing down the statue of Saddam Hussein?
    2. Why did the news reports only count the deaths of soldiers who died on the field, rather than later, in a hospital?
    3. How might keeping IEDs out of the news protect Americans from the enemy?
    4. Why does it bother Birdy and the other soldiers that what they're seeing on the battlefield isn't making the news?

    Chew on This

    The American media reports had to skew positive to protect the soldiers from the enemy.

    The overly positive media reports of the war contributed to the war failing, not succeeding.