Study Guide

To Melancholy Introduction

By Charlotte Smith

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To Melancholy Introduction

Charlotte Smith was a professional poet and novelist… and mother of twelve children. Impressed? We sure are. Especially since she lived and wrote during a time when it was frowned upon for women to earn money outside of the home. But Smith had to make money somehow, with all those kids to feed, clothe, and educate!

Smith was actually pretty well off as a kid and received an excellent education. But her father got into financial trouble and—over young Charlotte's objections—married her off to the wealthy Benjamin Smith when she was only 15 years old. (Yes, you read that right.) Smith was miserable in her marriage and said that it made her into a kind of "legal prostitute," since her father basically sold her off to pay his own debts. Smith's husband was kind of a deadbeat, too—he squandered his money and ended up in debtor's prison.

So, the young and brilliant Charlotte Smith was left with no money, a lot of kids, and a deadbeat husband that she was obliged to bail out if she could. What's an eighteenth-century woman to do? Smith was always interested in poetry, so she started working on a collection of sonnets, which she first published in 1784.

They were so popular that the publishers kept re-printing them, and every time they printed a new edition, Smith would add another preface and a few more sonnets, until eventually the Elegiac Sonnets became a two-volume collection. "Elegiac" means that the sonnets are "elegies," or mournful poems. The sonnets are almost all sad and miserable—go figure, when you think what Smith was going through as she wrote them.

"To Melancholy" was written in 1785, so it wasn't one of the original sonnets from the 1784 edition, but it has since become one of the more famous ones. It's sometimes referred to by its number in the final collection—XXXII. In it, the poet is hanging out by the banks of a river, listening to the wind and watching the mist rise up off of the chilly water. It's cold and damp and it's getting dark… the perfect breeding ground for ghosts. She imagines she can see the ghost of the poet Thomas Otway—someone she particularly admired. She concludes by saying that she actually likes feeling melancholy. How about that?

What is To Melancholy About and Why Should I Care?

Ever had a bad day? One of those days when it seems like the whole world agrees with your crummy mood? The sky is cloudy, the leaves on the trees are dead and brown, it's cold, and damp, and everything is miserable. And yet, somehow, you find yourself relishing your own misery. You wallow in it. You keep asking yourself if you're still miserable, and the answer is always, "yep!" You're pensive in class and stare off into space… you can't focus on your homework. You just muse about how awful the world is.

And then maybe you go off and write a poem about it.

Does any of this sound familiar? Because that's the kind of day Charlotte Smith was having as she wrote "To Melancholy." If Byron was the father of all emo poets and emo rock bands, then Charlotte Smith was the mother. She takes emo to a whole new level. If she were alive today, you'd find her wearing all black and brooding at a local coffee shop.

So if you've had a bad day—bad to the point that you almost enjoyed the total crummy-ness of it—then this is a poem for you.

To Melancholy Resources


Poetry Foundation
This is a great resource for poetry in general. Check out a brief bio and links to Smith's work here, too.

Encyclopedia Britannica on Thomas Otway
Here's the Encyclopedia Britannica's entry on the playwright Thomas Otway. He was from the same part of England as Charlotte Smith, which she thought was pretty awesome.

More on Otway
This site has more background info on Charlotte Smith's favorite seventeenth-century poet and playwright.

The River Arun
This website has more information than you will probably ever need on the River Arun. It includes pictures, info on the area's history, etc. Check it out!

UC Davis British Women Romantic Writer Project
This is a collection of texts and information put together by scholars and professors at UC Davis.

Prof. Craciun's Collection
This is another collection of texts and info on British Women Romantic writers. Adriana Craciun is a Professor of English at the University of California, Riverside.


Professor Jacqueline Labbe Talks About Charlotte Smith.
This video is part 1 of a 3-part series.

Prof. Labbe Talks More About Charlotte Smith.
Part 2 of 3!

Prof. Labbe Finishes Talking about Charlotte Smith.
You guessed it—this is Part 3 of 3.

Charlotte Smith Public Service Announcement
Some Romantic Literature students put together a joke PSA asking for you to support Charlotte Smith.


"To Melancholy," Read Out Loud
This is a YouTube video, but don't let that fool you—it's an audio recording of "To Melancholy" with a few images accompanying it.

Check out another reading of the poem.


Portrait of Charlotte Smith
This lady had awesome taste in hats.

Portrait of Thomas Otway
We don't have a pic of what Otway would look like as a ghost, so you'll just have to use your imagination for that.

Map of River Arun
In case you ever want to visit…

Misty River Arun
Here's a pic of the river in the mist… can you imagine the ghost of Thomas Otway coming out of it?

Article by Javier Huerta
This is a smart and very readable article by Javier Huerta about a "ghostly" footnote to one of Charlotte Smith's sonnets.

"Charlotte Smith and British Romanticism"
Here's a link to an article about Smith's place in British Romanticism by Prof. Stuart Curran. The link is through the JSTOR database, so you'll need to access it through your library.


Elegiac Sonnets
Google Books has an electronic copy of one of the earliest editions of the Elegiac Sonnets. It's really cool to see how different the typeface and font looked in printed books in the late 1700s. Even some of the spellings were a little different—check it out!

Later Edition of the Elegiac Sonnets
The library at UC Davis has a digitized version of an 1827 edition of the Elegiac Sonnets, complete with the prefaces that Smith added with each new version. The prefaces are a cool read just on their own. That's where Smith thanks her readers, and where she gets all defensive for having published poetry at all, when most women were expected to stay home and raise their kids all day.

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