Alice's Adventures in Wonderland and Through the Looking-Glass Freedom and Confinement Quotes

How we cite our quotes: Citations follow this format: (Book.Chapter.Paragraph)

Quote #1

Alice opened the door and found that it led into a small passage, not much larger than a rat-hole: she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall, and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway. . . . (Wonderland 1.14)

The object of Alice's "quest" in Alice's Adventures in Wonderland is freedom – getting out of the "small passage" that confines her and escaping into "the loveliest garden you ever saw." What the passage and the garden represent is up for debate, but it's no accident that Alice's freedom is represented by the natural world and the outdoors. Like most children, she hates being cooped up inside and longs to get out and explore.

Quote #2

She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself "Now I can do no more, whatever happens. What will become of me?"

Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. (Wonderland 4.7-8)

Alice's feeling of confinement in this scene is created by her sudden growth spurt. Even though it's magically induced, we're starting to wonder whether the normal process of growing up might also make her feel trapped.

Quote #3

"Come, my head's free at last!" said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be found: all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her.

"What can all that green stuff be?" said Alice. "And where have my shoulders got to? And oh, my poor hands, how is it I can't see you?" She was moving about, as she spoke, but no result seemed to follow, except a little shaking among the distant green leaves. (Wonderland 5.46-47)

In this scene, Alice is free and confined at the same time. Her head has grown above everything in the world, even the rest of her body, giving a new meaning to the phrase "head in the clouds." But instead of making her feel free and exhilarated, she just feels out of touch with herself.

Quote #4

"There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are: secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there was a most extraordinary noise going on within – a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces.

"Please, then," said Alice, "how am I to get in?"

"There might be some sense in your knocking," the Footman went on, without attending to her, "if we had the door between us. For instance, if you were inside, you might knock, and I could let you out, you know." (Wonderland 6.6-8)

Being on one side of a door is a puzzling situation in Wonderland (and, later, in Looking-Glass World). Alice seems to think that she should try to get in, but the Footman suggests two other possibilities – that she might want to try to get out, or that she doesn't need to go through the door at all. Perhaps Alice's ideas about what freedom and confinement really are need some work.

Quote #5

. . . she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. (Wonderland 7.99)

Alice's more philosophical dilemma about trying to escape from a world that seems to shrink around her is parodied by a series of scenes in which other characters are stuffed into tiny containers. Here we see the Dormouse getting put in the teapot – which real-life Victorian children used as makeshift cages for their hibernating pet mice. (The teapots were, of course, empty of tea at the time.)

Quote #6

Once more she found herself in the long hall, and close to the little glass table. "Now, I'll manage better this time," she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she set to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and then – she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. (Wonderland 7.102)

Alice's escape from the hall into the garden is the result of a lot of trial and error, not to mention being in the right place, with the right things, at the right time. She's lucky enough to get a second chance at effecting her escape, and this time she's not going to squander it.

Quote #7

"You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. (Wonderland 8.27)

Sometimes confinement can be protective, as in this scene, where Alice saves three foolish soldiers-turned-gardeners from what seems to be certain execution by hiding them in a flowerpot. Maybe Alice's own feeling of being trapped as she grows larger (or perhaps older) is also unfair; perhaps the restrictions she feels are also for her own good.

Quote #8

"Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of gold-fish she had accidentally upset the week before.

"Oh, I beg your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the gold-fish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. (Wonderland 12.1-2)

Just as the goldfish have to stay in their bowl to live, people are so attached to their circumstances, customs, and forms that their entire lives seem threatened when the social order is momentarily broken – even if it's just in a wacky Wonderland way.

Quote #9

"But oh!" thought Alice, suddenly jumping up, "if I don't make haste, I shall have to go back through the Looking-glass, before I've seen what the rest of the house is like! Let's have a look at the garden first!" She was out of the room in a moment, and ran down stairs – or, at least, it wasn't exactly running, but a new invention for getting down stairs quickly and easily, as Alice said to herself. She just kept the tips of her fingers on the hand-rail, and floated gently down without even touching the stairs with her feet: then she floated on through the hall, and would have gone straight out at the door in the same way, if she hadn't caught hold of the door-post. (Looking-Glass 1.41)

Alice feels an incredible lightness and freedom when she enters Looking-Glass World. Yet at the back of her mind, she knows that she has to get in all the fantasy and enjoyment she can before the real world calls her back. There are strict limits on the release she can find in her imagination.

Quote #10

He looked so vexed at the idea, that Alice changed the subject hastily. "What a curious helmet you've got!" she said cheerfully. "Is that your invention too?"

The Knight looked down proudly at his helmet, which hung from the saddle. "Yes," he said, "but I've invented a better one than that – like a sugar loaf. When I used to wear it, if I fell off the horse, it always touched the ground directly. So I had a very little way to fall, you see – But there was the danger of falling into it, to be sure. That happened to me once – and the worst of it was, before I could get out again, the other White Knight came and put it on. He thought it was his own helmet."

The Knight looked so solemn about it that Alice did not dare to laugh. "I'm afraid you must have hurt him," she said in a trembling voice, "being on the top of his head."

"I had to kick him, of course," the Knight said, very seriously. "And then he took the helmet off again – but it took hours and hours to get me out. I was as fast as – as lightning, you know."

"But that's a different kind of fastness," Alice objected.

The Knight shook his head. "It was all kinds of fastness with me, I can assure you!" he said. (Looking-Glass 8.62-67)

The Knight's foolish escapades remind us that trying to be too protective of someone (even yourself) usually results in making them feel trapped instead.