How we cite our quotes: (Part.Section.Paragraph)
Quote #1
After my wife, and also before her, there were women about whom I shall not speak since they are irrelevant and unimportant. Sometimes I saw myself as an ageing Don Juan, but the majority of my conquests belonged to the world of fantasy. I wished in after years when it seemed too late to start that I had kept a diary. One's capacity to forget absolutely is immense. And this would have been some sort of monument with an almost guaranteed value. A sort of Seducer's Diary with metaphysical reflections might have been an ideal literary form for me, I have often thought. (Bradley Pearson's Foreword: par. 8)
How does Bradley Pearson's description of himself as a puritanical man align with his description of himself as a seductive Don Juan, and what are we to make of this apparent contradiction?
Quote #2
Of course I was 'in love' with Christian when I married her, and I felt that I was lucky to get her. She was a showy pretty woman. […] Later, when I imagined I knew more about 'love', I decided that my feeling about Christian was 'just' overwhelming sexual attraction, plus a curious element of obsession. (1.10.2)
At fifty-eight years old, Bradley Pearson seems to be generally disinterested in sex. However, if we can believe his accounts of his younger self, he was no stranger to overwhelming sexual attraction way back then.
Quote #3
'How can you tell me that,' I said, 'with that air of vile satisfaction. Am I supposed to be pleased because you've fathered another bastard? Are you so proud of being an adulterer? I regard you both as wicked, an old man and a young girl, and if you only knew how ugly and pathetic you look, pawing each other and making a vulgar display of how pleased you are with yourselves for having got rid of my sister—You're like a pair of murderers—'. (1.11.55)
One of the great ironies of The Black Prince—and Bradley Pearson is aware of this irony himself—is that after feeling rank disgust at Roger Saxe's relationship with his much-younger mistress, Marigold, Bradley himself goes and falls for a young woman with whom he's got an even bigger age gap. Not surprisingly, Bradley doesn't seem to believe that his own sexual relations with Julian Baffin are wicked, ugly, pathetic, or disgusting.
Quote #4
It is customary in this age to attribute a comprehensive and quite unanalysed causality to the 'sexual urges'. These obscure forces, sometimes thought of as particular historical springs, sometimes as more general and universal destinies, are credited with the power to make of us, delinquents, neurotics, lunatics, fanatics, martyrs, heroes, saints, or more exceptionally, integrated fathers, fulfilled mothers, placed human animals, and the like. Vary the mixture, and there's nothing 'sex' cannot be said to explain, by cynics and pseudo-scientists such as Francis Marloe […]." (1.17.1)
Despite the important roles that sex and sexual urges play in The Black Prince, Bradley Pearson rejects any Freudian or post-Freudian ideas that human sexuality is at the root of everything. For Bradley, sex isn't the be-all and end-all—instead, it's one part of a much broader and more complex experience.
Quote #5
I would like to make it clear that any explanation along these lines is not only over-simplified and 'coarse', it is also entirely wide of the mark. In so far as I thought about the possibility of making love to Rachel (which by this time I did, but with a deliberately controlled vagueness) I did not, I was not such a shallow fool as to, imagine that a trivial sexual release would bring me the great freedom for which I had sought, nor had I in any way confused animal instinct with godhead. (1.17.3)
In his narrative, Bradley Pearson makes it clear that he didn't associate the idea of sex with Rachel Baffin with the "godhead" that he worships throughout the book. Does he associate sex with Julian Baffin with the "godhead"? If so, why does he feel this way about sex with Julian but not about sex with Rachel?
Quote #6
To lie fully clothed, with one's shoes on, beside a panting naked woman is not perhaps very gentlemanly. I raised myself on one elbow so that I could see her face. I did not want to be submerged by this warm gale. I looked intently down at her face. […] I touched her breasts, moving my hand over them lightly, scrutinizing them with my touch. I looked down and regarded her body, which was plump, fleshy. I drew my hand down over her stomach which contracted under my fingers. I felt excited, stunned, but this was not quite desire. (1.19.50)
For a novel with such matter-of-fact sex scenes (or, um, attempted-sex scenes), The Black Prince isn't exactly a steamy read. Bradley Pearson's descriptions of women are so often unpleasant or grotesque that even the novel's sexiest scenes tend not to be very erotic.
Quote #7
'"Always" has no force here. I haven't been with a woman for many years. This privilege is unwonted and unexpected. And I cannot rise to it.' (1.19.52-54)
Check out Bradley Pearson making a joke, folks. These moments are few and far between in The Black Prince, so enjoy 'em when you can.
Quote #8
When sexual desire is also love it connects us with the whole world and becomes a new mode of experience. Sex then reveals itself as the great connective principle whereby we overcome duality, the force which made separateness as an aspect of oneness at some moment of bliss in the mind of God. (2.1.13)
Fancy. Does this explain why Bradley Pearson associates the idea of sex with Rachel Baffin with nothing more than "animal instinct," while he believes that sex with Julian Baffin is a form of communing with the "godhead"?
Quote #9
When one has at last got what has been ardently longed for one wishes time to cease. Often indeed at such moments it is miraculously slowed. Looking into each other's eyes we caressed each other without any haste at all, with a sort of tender curious astonishment. […] My luxuriant sense of destiny had its nemesis however. I put the essential matter off too long and when I came to it it was over in a second. (3.3.5)
Bradley Pearson is using evasive and delicate language here, but it shouldn't be too difficult to read between the lines and figure out what he's saying. After obsessing about sex with Julian Baffin for days, Bradley is embarrassed to have delivered a disappointing performance on their first night in bed.
Quote #10
Later on, she was crying. There had been no doubt about this love-making. I lay exhausted and let her cry. Then I turned her round and let her tears mingle with the sweat which had darkened the thick grey hairs of my chest and made them cling to my hot flesh in flattened curls. I held her in a kind of horrified trance of triumph and felt between my hands the adorable racked sobbing of her body. (3.6.1)
The first time that Bradley Pearson feels satisfied with his sexual performance in bed with Julian Baffin is also the first time that he is rough and violent with her, to the point of causing her pain. Afterwards, Bradley doesn't think of himself as having done anything wrong—in fact, he's quite proud. Is this just another aspect of Bradley's misogyny, or is it somehow connected to his ideas about sex, art, and love?