Power Quotes in Child 44

How we cite our quotes: (Part.Chapter.Paragraph)

Quote #1

When the State began taking the villagers' food, arguing that it belonged to the country and not them, Oksana [...] feigned obedience. (1.1.79)

Like many Russians, Oksana realizes that it's better to just keep her nose clean. Don't confuse this with submission, however: Oksana is as crafty and independent as they come. It's this crafty nature, in fact, that tells her that it's much wiser to fly below the radar.

Quote #2

Leo [...] decided to make use of his authority and do things a little differently. He was an investigator. He'd wanted to investigate. (2.5.12)

Leo is one idealistic dude. He doesn't crave power for selfish reasons—he sincerely wants to help people. What a shame that he's the only officer in the MGB who thinks that way, huh? One man can take a stand, but it'll take more than that for real change to happen.

Quote #3

Others in the Directorate, like animals circling a wounded prey, would [...] denounce him as a poor leader while Vasili positioned himself as Leo's logical successor. (2.6.7)

The MGB is the very definition of a hostile work environment. You might think that all of these powerful dudes would get along great, content with the knowledge that they control over 90% of the country. As usual, however, these powerful people only want one thing: more power. They don't want to share it, and they don't care what compromises they'll have to make to get it.

Quote #4

In short he was a ridiculous-looking man and not even the supreme power of life and death had bestowed upon him any gravitas. (2.7.10)

This perfectly highlights the absurdity of the MGB. The organization isn't headed by the smartest, toughest, and most intelligent agents—it's headed by the dude most willing to throw his peers under the bus. These guys aren't Bond-worthy super-villains—they're just tattle-tails.

Quote #5

She glanced at Leo. He was standing with his hands in front, his head dropped in order to avoid eye contact. (3.15.2)

Leo knows enough about the MGB to know that submission is mandatory. His knowledge of the MGB's tactics actually comes to be quite useful, helping him navigate through situations that would land most citizens in the Gulag.

Quote #6

Having lost his authority, having lost the power to arrest whoever he wanted, he was choked with sentimentalism (3.16.3)

Raisa might be oversimplifying things, but she's got a point. Leo didn't have to do much self-examination when he was a high-ranking MGB agent; in fact, he probably avoided it at all costs. Now that he's just a regular guy again, he's forced to come to terms with the man he has become.

Quote #7

Leo had been a symbol of the State [...] But now he no longer represented anything other than himself, divested of authority and ripped out of the system she so hated. (4.36.5)

As you can see, Raisa has always been bitter about Leo's career. This is indicative of the differences between them: Raisa's a bit punk rock, while Leo's more like easy-listening oldies. Still, Raisa can now see that Leo is a fundamentally good dude who has done some misguided stuff. Sure, he's not perfect—but who is?

Quote #8

Was it that he couldn't understand why anyone who wanted to kill simply didn't join the MGB or become a Gulag guard? (4.43.86)

Vasili is the ideal MGB agent: cold, uncaring, and a bit dense. While Leo worked for the MGB out of a sincere desire to do right by his country, Vasili is driven solely by a lust for power. To him, being violent and cruel is just a perk.

Quote #9

He was curiously aware of his actions as pathetic [...] This man who'd been his target for so long was now weak, beaten and broken. (4.45.14)

Well, we're glad you can admit it, Vasili, old buddy. Let's be honest though: you're pretty much just in love with Leo. You're like an elementary school kid who gives wet-willies to the classmate he has a crush on. Sweet Jedidiah, we still have nightmares about getting wet willies.

Quote #10

Raisa realized this man was a comic figure, a puppet. He wasn't the real authority. From the back of the crowd and elderly women spoke. (4.50.37)

Throughout the novel, we see old women used as symbols of traditional Russian society. The truth is that the real power isn't in the hands of the bureaucrats and generals—it's in the hands of these strong, proud, and fearless women. You can push them around, but they're never going to stop getting back up.