How we cite our quotes: (Part.Chapter.Paragraph)
Quote #1
The picture hurt the big Greek's feelings and he refused to be reconciled until Singer had made his face very young and handsome and his hair bright yellow and his eyes china blue. (1.1.14).
What a revealing scene. Whiteness, for Antonapoulos here, and for many other characters as well, is prized at the expense of all other ethnicities. Antonapoulos seems to have internalized this racial hierarchy, which is both sad and a little disturbing. What's even more disturbing is that Singer gives in.
Quote #2
"Don't you know you can't bring no n***** in a place where white men drink?" someone asked him. [...]
"I'm part n***** myself," [Blount] called out as a challenge. (1.2.68, 70)
Jake is probably one of the least racist characters in the entire novel, and we admire his rising to the occasion in this scene. But we can't help but feel a little sad that such a tolerant dude ends up in such a whopper of an argument with Copeland later in the novel.
Quote #3
"Me? You say I favor him?"
"I don't mean in the face or in any kind of looks. I was speaking about the shape and color of your souls. (1.3.114-15)
Portia is all about digging deeper. She places a high value on what someone is like on the inside, rather than their outer appearance. Of course that's hard to do in a novel like this, where so many characters judge each other by their looks.
Quote #4
It is not more children we need but more chances for the ones already on the earth. Eugenic Parenthood for the Negro Race was what he would exhort them to. (1.5.32)
Copeland's use of the word "Eugenic" might raise some eyebrows here. Eugenics is typically associated with racism; it has ties to the Nazis, who used what they called eugenic science to prove the so-called inferiority of the Jewish people. But the Nazis by no means had a monopoly on eugenics; it was a type of thinking adopted by a wide range of groups. The key here is that eugenics focuses on selective breeding – weeding out the so-called inferior genes and creating stronger, healthier (typically whiter) children. Apparently, this is what Copeland wants for his people, which is shocking, misguided, and ultimately horrifying to ponder.
Quote #5
"I mean that if I could just find ten Negroes – ten of my own people – with spine and brains and courage who are willing to give all that they have – " (1.5.55)
Copeland's assessment of fellow African Americans is very complicated and is often very disturbing. Copeland is an outsider, and he has a lot of resentment towards white people, who treat him and other blacks poorly. But he also has beef with his fellow African Americans, because he believes they don't behave as he wishes them to. In this scene, he stereotypes an entire community by implying that most African Americans are lazy and cowardly. Yikes.
Quote #6
"Take Willie and me. Us aren't all the way colored. Our Mama was real light and both of us haves a good deal of white folks' blood in us. And Highboy – he Indian. He got a good part Indian in him. None of us is pure colored and the word you use all the time [Negro] has a way of hurting people's feelings." (1.5.62)
Portia's rundown of skin color ties back into an earlier scene where Antonapoulos wants to be white and blonde in his self-portrait. Portia too is self-conscious of how "white" she is, and she takes offense at being lumped in with other "Negroes." This hierarchy of skin color within the black community might come as a surprise, but it's explored in many other novels, like those of Toni Morrison and Ralph Ellison.
Quote #7
He listened, and in his face there was something gentle and Jewish, the knowledge of one who belongs to a race that is oppressed. (2.3.1)
Everyone sees what they want to see in Singer, so it makes sense that Copeland identifies Singer as a member of another "oppressed" group of people to further solidify their connection. But is that really fair to Singer?
Quote #8
"I were holding my hand to my back and looking up at the sky when suddenly I seen this little angel. It were a little white girl angel [...] with yellow hair and a white robe. Just flying around near the sun." (2.3.94)
This passage comes after Grandpapa had expressed his wish for Jesus to turn him white, and this image of what an angel should look like, and what a sign from God should be, further emphasizes this theme of people prizing whiteness.
Quote #9
Mick had heard Portia say that before, but she had thought it was a tale. How could a colored man be a doctor? (1.3.100)
It's scary to see how easily Mick spouts off these racist views. She's not a vicious person, and she's certainly not trying to be mean or judgmental, but racism is so deeply ingrained that she can't think critically about it. She just accepts the racial status quo as a way of life.
Quote #10
"I hate the whole white race and will work always so that the colored race can achieve revenge for all their sufferings. That is my ambition." (2.6.16)
Lancy's conclusion to his essay totally unnerves Copeland. Lancy may have justifiable rage, but he's also perpetuating cycles of violence in the community. Many black characters in the novel face similar tough choices. They deserve equality, but how far are they willing to go to get it?
Quote #11
"Attention!" he called. "We will save ourselves. But not by prayers of mourning. Not by indolence or strong drink. Not by the pleasures of the body or by ignorance. Not by submission and humbleness. But by pride. By dignity. By becoming hard and strong." (2.6.85)
Copeland's run-down of what he doesn't want the black community to do reveals a lot about how he sees them. He sees drinking, sex and submission as common behaviors among the black community that are getting in the way of their saving themselves.
Quote #12
"It were something to do with the way this here white guard picked on them all the time. They were out on roadwork one day and Buster he sassed back and then the other boy he try to run off in the woods. They taken all three of them. They taken all three of them up to the camp and put them in this here ice-cold room." (2.10.21)
In a novel that often avoids talking about racial violence directly, the lead-up to Willie's being physically abused and tortured is a chilling reminder that racism has a violent, lethal side to it. It's about much more than skin color; lives are on the line.
Quote #13
On the other hand, all Negroes looked similar to white men but white men did not usually bother to fix the face of a Negro in their minds. So the white man said, "What you want, Reverend?"
The familiar joking title nettled him. "I am not a minister," he said. [...]
The deputy was like other white men in that a clearly enunciated speech maddened him. (2.10.78-80)
This sheriff is one bad dude. He embodies the very worst of racist thinking and bigotry, and his scenes with Doctor Copeland are upsetting. He seems to think it's a-okay to dismiss black people as all the same. He's callous and cruel – the worst of the worst.
Quote #14
Mick whispered to Portia, "What's your father's name?"
"He named Benedict Mady Copeland."
Mick leaned over close to Doctor Copeland and shouted in his face as though he were deaf.
"Benedict, don't you think some hot coffee would make you feel a bit better?" (2.10.45-48)
Mick typically calls grown-ups Mr. Singer or Mr. Brannon. She doesn't use their first names because that would be rude. But when she learns Doctor Copeland's name, she calls him by his first name instead of addressing him more formally. What does that tell us?