The House on Mango Street Gender Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #1

The boys and girls live in separate worlds. The boys in their universe and we in ours. My brothers for example. They've got plenty to say to me and Nenny inside the house. But outside they can't be seen talking to girls. (3.1)

Divisions between gender are present among the characters in The House on Mango Street from a young age.

Quote #2

She was a horse woman too, born like me in the Chinese year of the horse – which is supposed to be bad luck if you're born female – but I think this is a Chinese lie because the Chinese, like the Mexicans, don't like their women strong. (4.2)

Even as a child, Esperanza questions gender roles. She also observes that gender roles are cultural.

Quote #3

She looked out the window her whole life, the way so many women sit their sadness on an elbow […] Esperanza. I have inherited her name, but I don't want to inherit her place by the window. (4.4)

Esperanza's great-grandmother is the first female character that we see positioned by the window in this novel.

Quote #4

[Hips are] good for holding a baby when you're cooking, Rachel says, turning the jump rope a little quicker. She has no imagination. (20.3)

Esperanza scoffs at Rachel for her observation that hips are good for holding a baby while you're cooking – a task that fits right into the traditional gendered role of women in their society.

Quote #5

But most important, hips are scientific, I say repeating what Alicia already told me. It's the bones that let you know which skeleton was a man's when it was a man and which a woman's. (20.7)

This "scientific" observation about hips suggests that gender is something you're born with. It's biological.

Quote #6

Everybody getting into it now except Nenny who is still humming not a girl, not a boy, just a little baby. She's like that. (20.27)

Nenny's nursery rhyme hints at the idea that gender is a social construction – it's not something you're born with, it's something you learn to perform.

Quote #7

And then Rafaela, who is still young but getting old from leaning out the window so much, gets locked indoors because her husband is afraid Rafaela will run away since she is too beautiful to look at. (31.1)

The issue of freedom and confinement becomes a gendered problem in this novel, as women are frequently confined to their homes by their husbands.

Quote #8

Rafaela […] wishes there were sweeter drinks, not bitter like an empty room, but sweet sweet like the island, like the dance hall down the street where women much older than her throw green eyes easily like dice and open homes with keys. And always there is someone offering sweeter drinks, someone promising to keep them on a silver string. (31.4)

Feminine freedom, symbolized by the act of opening a home with a key, is here portrayed as being in constant jeopardy.

Quote #9

I have begun my own quiet war. Simple. Sure. I am the one who leaves the table like a man, without putting back the chair or picking up the plate. (35.5)

Perceiving herself to have no feminine power of her own, Esperanza decides to play with gender roles and adopt the mannerisms of a man.

Quote #10

But Sally doesn't tell about the time he hit her with his hands just like a dog, she said, like if I was an animal. He thinks I'm going to run away like his sisters who made the family ashamed. Just because I'm a daughter, and then she doesn't say. (37.3)

To Sally's father, the figurehead of sexist conservatism in Esperanza's society, being female is just cause for punishment. He seems to see women as sources of familial and perhaps societal shame.

Quote #11

Sally says she likes being married because now she gets to buy her own things when her husband gives her money. She is happy, except sometimes her husband gets angry and once he broke the door where his foot went through, though most days he is okay. Except he won't let her talk on the telephone. And he doesn't let her look out the window. (40.2)

In an attempt to escape her father's misogynistic violence, Sally marries another man. Esperanza's observations indicate to us that trading one patriarch for another did nothing to solve Sally's problems.