Study Guide

Bleak House Language and Communication

By Charles Dickens

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Language and Communication

Bleak House is acutely concerned with questions of when to speak and when to remain silent. Part of Esther's maturation is understanding how and when to deploy criticism: keeping quiet maintains social bonds, while offering judgment can sometimes repair a wrong. However, the choice to speak is riddled with its own secondary decisions about manner and medium. Sir Dedlock's highly formal affirmations of love sound too trite for Lady Dedlock to put stock in his forgiveness, while Jarndyce's proposal by letter rather than voice places a distance between the passion on the page and his calm manner in person.

Questions About Language and Communication

  1. Try to imagine some of the communication that takes place in the novel switching to a different medium. What changes? What stays the same? For instance, what if Jarndyce had proposed in person rather than by letter? How would that change how we see his feelings for Esther? How would her response be different? Would it then be harder or easier for her to break their engagement?
  2. Why did Dickens decide to make Hortense French? What does it do to our feelings about her that her language appears so stilted and strange, as the narrator tries to reproduce her accent? Does her otherness or outsider status explain anything about her? Is that fair?
  3. Think of the many types of speech that are specifically denied by legal authorities in the novel: Jo cannot testify at Nemo's inquest, Gridley cannot be recognized by the Lord Chancellor, the final will that should resolve Jarndyce and Jarndyce is inadmissible. Why do we get so many instances where real communication is denied legal existence?

Chew on This

The ability to modulate language to a specific audience is a skill only developed by those who serve or wait on others. The powerful have no need to differentiate the people they are addressing.

Written communications in the novel are far more important as physical objects than for whatever their content might be. The love letters found with Hawdon's body, for instance, are never read, but their existence as a little packet tied with red ribbon is crucial. It's the same with the documents in the Jarndyce case, which are too numerous to fit into the bags they're carried in. Because of this, non-language-based modes of communication, like Woodcourt's bouquet, take on infinitely greater meaning than they would otherwise.

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