The Book Thief Narrator Point of View
By Markus Zusak
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Narrator Point of View
First Person (Limited)
The Book Thief is narrated by an extremely overworked being who identifies himself as Death.
Some readers love Death as a narrator; others not so much. We tend to think it's an interesting choice. Markus Zusak needed a narrator who could provide Liesel's point of view, but also provide information that Liesel, as a young girl in a relatively isolated town, wouldn't know about.
He needed a narrator who could provide snapshots of the World War II outside of Himmel Street. Zusak could've just used a third-person narrator, but by using Death the author is able to offer a unique perspective on all the death and dying occurring during this historical period.
Now, Death isn't omniscient—he doesn't know and see everything that's going on in the world. He's gets his information just like we do—from his personal experiences and from what he reads and hears about from others. In this story, much of what Death relates to us falls into the second category. His chief source for the story he's telling is The Book Thief, the book Liesel writes about her life.
But, for Liesel's story to make sense to us, Death needs to tell us about what's going on in other parts of Germany, Poland, and Russia during World War II, to provide us with details Liesel would have no way of knowing at the time she's writing her book. Dying is one of the main things going on. He interweaves this larger context with the story of Liesel and the people she loves and loses.
Check out Zusak had to say about why he chose Death as the narrator for The Book Thief:
Well, I thought I'm writing a book about war, and there's that old adage that war and death are best friends, but once you start with that idea, then I thought, well, what if it's not quite like that? Then I thought what if death is more like thinking, well, war is like the boss at your shoulder, constantly wanting more, wanting more, wanting more, and then that gave me the idea that Death is weary, he's fatigued, and he's haunted by what he sees humans do to each other because he's on hand for all of our great miseries. (Source)
Now what do you think? Was Death a good choice for the role of narrator? What would the book have been like if it was narrated by a third-person narrator? Or by Liesel?
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- Introduction
-
Summary
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Themes
-
Characters
- Liesel Meminger
- Rudy Steiner
- Max Vandenburg
- Hans Hubermann
- Rosa Hubermann
- Death
- Frau Ilsa Hermann
- Werner Meminger
- Paula Meminger
- Liesel's Father
- Erik Vandenburg
- Max's Mother
- Walter Kugler
- Max's Uncle, Aunt Ruth, and Cousins
- Hans Hubermann Junior
- Trudy Hubermann
- Alex Steiner
- Barbara Steiner
- The Steiner Kids
- Tommy Müller
- Frau Holtzapfel
- Michael Holtzapfel
- Robert Holtzapfel
- Arthur Berg
- Victor Chemell
- Frau Diller
- Franz Deutscher
- Reinhold Zucker
- Ludwig Schmeikl
- Frau Hienrich
- Heinz Hermann
- Johann Hermann
- Analysis
- Quotes
- Premium