The Book Thief Writing Style
By Markus Zusak
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Writing Style
Foreshadowing, Spoiling, Illustrated, A Book-Within-A Book-Within-A-Book
The Book Thief features innovative stylistic techniques. The most obvious innovation (which some readers love and others can't stand) is narrator Death's use of boldface text to relay certain information, such as:
*** A SMALL ANNOUNCEMENT***
ABOUT RUDY STEINER
He didn't deserve to die the way he did. (37.9)
As in the example provided, these sections are used for a few of Death's favorite pastimes: foreshadowing and plot-spoiling. Of course, he doesn't confine this to the boldfaced passages the novel is laced with it. Death is aware of his habit, and after revealing Rudy's imminent death, Death explains:
Of course I'm being rude. I'm spoiling the ending […]. […] I don't have much interest in building mystery. Mystery bores me. It chores me. I know what happens and so do you. It's the machinations that wheel us there that aggravate, perplex, interest, and astound me. (38.1)
But, be careful not to trust Death too much. He's a decent guy and all, but he fools us into thinking there are no surprises left for us at the end. When, in actuality, he withholds from us the fact that Liesel and Max will be reunited after World War II ends. Well, we can sure forgive him for that. The foreshadowing of the other events makes us let down our guards and be surprised.
Death isn't all talk—he also provides illustrations. He gives us books within his books. The Book Thief, the novel we are reading, contains two complete, illustrated stories written by Max Vandenburg. These are The Standover Man and The Word Shaker, both written on painted-over pages of Adolph Hitler's Book, Mein Kampf.
You should really see this. We can still see the traces of Hitler's book, peeking through the white paint. Plus, there are excerpts from the other books that are important to Liesel. This includes her own book, The Book Thief, the story of her life, which Death rescues from a trash truck and reads over and over again before returning it to her when she dies.
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- Introduction
-
Summary
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Themes
-
Characters
- Liesel Meminger
- Rudy Steiner
- Max Vandenburg
- Hans Hubermann
- Rosa Hubermann
- Death
- Frau Ilsa Hermann
- Werner Meminger
- Paula Meminger
- Liesel's Father
- Erik Vandenburg
- Max's Mother
- Walter Kugler
- Max's Uncle, Aunt Ruth, and Cousins
- Hans Hubermann Junior
- Trudy Hubermann
- Alex Steiner
- Barbara Steiner
- The Steiner Kids
- Tommy Müller
- Frau Holtzapfel
- Michael Holtzapfel
- Robert Holtzapfel
- Arthur Berg
- Victor Chemell
- Frau Diller
- Franz Deutscher
- Reinhold Zucker
- Ludwig Schmeikl
- Frau Hienrich
- Heinz Hermann
- Johann Hermann
- Analysis
- Quotes
- Premium