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Freedom and Confinement
What's up with everyone wanting to keep Clarissa locked up? She's got a tighter curfew than a sixteen-year-old who's just wrecked the family car. Unfortunately, unless our girl is escaping from somewhere, she's always under lock and key. Even when she's at Mrs. Moore's or Mrs. Smith's, she's being carefully monitored by someone. Whether it's a friend or foe, Big Brother is always watching.
If Clarissa is really the History of a Young Lady, as the subtitle implies, there's a lot more going on with this freedom and confinement thing. After all, it's not like young ladies in Richardson's time got to go roaming around with the freedom a Lovelace might have. In some ways, this is the story of how Clarissa learns to navigate spaces that most respectable women wouldn't dare enter. The irony is that she isn't free when she wanders into and out of brothels and boarding houses. Not to be a downer, but there's just no way out for Clarissa.
Belford doesn't so much liberate Clarissa as confine her in another way.
When Clarissa runs away with Lovelace, she's at least partly willing. It may be another form of confinement, but at least it feels a little more like freedom.
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