Cry, the Beloved Country Tough-o-Meter
By Alan Paton
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Tough-o-Meter
(3) Base Camp
Cry, the Beloved Country isn't supposed to be hard. After all, Alan Paton wants to influence his readers against the racism of South African pre-apartheid society. It's tough to convince people of your ideas if you're making it difficult to understand what the heck you are talking about in the first place.
At the same time, Cry, the Beloved Country isn't supposed to be easy, either. Paton uses a lot of artistic language to try to give readers the flavor of Kumalo's life in the Zulu village of Ndotsheni. He also includes a ton of religious imagery, since a lot of the novel's anti-racist arguments come from Paton's belief in universal Christian love. Yes, Paton wants to convey his social message, but he also wants give us an artistically interesting and highly moral book. So Cry, the Beloved Country isn't the most difficult book ever written, but it's not A Very Hungry Caterpillar either (though we love that book, too).
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- Introduction
-
Summary
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Themes
- Characters
-
Analysis
- Tone
- Genre
- What's Up With the Title?
- What's Up With the Ending?
- Setting
- Tough-o-Meter
- Writing Style
- The Tribe
- The Blind of Ezenzeleni
- Arthur Jarvis's Study
- Umfundisi, Umnumzana, Inkosikazi, Inkosana—Tixo!
- The Sticks With the Little Flags
- The Storm
- Narrator Point of View
- Booker's Seven Basic Plots Analysis
- Plot Analysis
- Three-Act Plot Analysis
- Allusions
- Quotes
- Premium