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The Supernatural
Read the first three pages of Dreaming in Cuban and you'll realize something very important. There are dead people. Walking over the ocean. Living people can hear the sounds of the universe operating (including flowers growing). Catholic saints become Lukumi gods and rule the lives of humans, whether they accept it or not. All of this means one thing: you've landed in the universe of magical realism. Perhaps the most surprising thing about this kind of world is not the supernatural mingling with the quotidian. It's the absolute value of these occurrences in the lives of all the characters. Celia doesn't believe in religion, but she does step carefully around the sacred ceiba tree and leaves a prayer for Felicia. Pilar is like her grandmother: a non-believer, but still acknowledging the presence and power of invisible forces. For the del Pino family, the workings of the world beyond are just another part of a complicated life on earth.
In García's work, supernatural elements may coexist alongside everyday concerns, but the preoccupation with otherworldly things is far stronger for her characters.
Although Felicia's death is dramatic and mysterious, it has its roots in more practical, down-to-earth matters.
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