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Gender
This play is, to put it gently, really crazy freaking misogynist.
The verdict in Orestes's trial ultimately ends up hinging on two gender-related issues. The first issue is whether or not he is related to his own mother. Apollo says that mothers aren't actually related by blood to their children; that mothers are only baby-warming receptacles for the sperm implanted by the father. You might think that no female judge would accept Apollo's appallingly sexist argument—but you'd be wrong. Athena, the judge of the trial, explicitly says that she is biased towards men, and that's why she votes to let Orestes off the hook.
One of the major themes of The Eumenides—already foreshadowed in its opening lines—is the rise of a more patriarchal society, in which women like Clytemnestra and the Furies are increasingly marginalized. The logic? Basically: "women be crazy."
Aeschylus focuses on a transition from a matriarchal order to a patriarchal order because he is tapping into the traditional association of women with nature. In this framework, civilization—including the law-court—is thought of as a male activity that tames irrational feminine nature.
Athena's judgment in favor of Orestes has no other basis than sexist bias. Even so, it is a good decision because it puts an end to the cycle of bloody revenge.
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