Study Guide
Morpheus in The Faerie Queene
By Edmund Spenser
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Morpheus
What's so bad about Morpheus in Book 1: he's just the god of sleep and dreams. Sounds pretty chill, right? Wrong.
In Faerie Land, sleeping and inactivity are rarely good things since they are typically associated with being morally questionable. Morpheus doesn't seem to feel bad at all about concocting false and disturbing dreams for Redcrosse, dreams that have a direct impact on the choices Redcrosse makes when he wakes up. Therefore, even though Morpheus lives in a mystical cave that seems far removed from reality, his dreams can have a very real effect.
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Navigation
- Introduction
-
Summary
- Book 1, Proem
- Book 1, Canto 1
- Book 1: Canto 2
- Book 1: Canto 3
- Book 1: Canto 4
- Book 1, Canto 5
- Book 1, Canto 6
- Book 1, Canto 7
- Book 1, Canto 8
- Book 1, Canto 9
- Book 1, Canto 10
- Book 1, Canto 11
- Book 1, Canto 12
- Book 2: Proem
- Book 2, Canto 1
- Book 2, Canto 2
- Book 2, Canto 3
- Book 2, Canto 4
- Book 2, Canto 5
- Book 2, Canto 6
- Book 2, Canto 7
- Book 2, Canto 8
- Book 2, Canto 9
- Book 2, Canto 10
- Book 2, Canto 11
- Book 2, Canto 12
- Book 3, Proem
- Book 3, Canto 1
- Book 3, Canto 2
- Book 3, Canto 3
- Book 3, Canto 4
- Book 3, Canto 5
- Book 3, Canto 6
- Book 3, Canto 7
- Book 3, Canto 8
- Book 3, Canto 9
- Book 3, Canto 10
- Book 3, Canto 11
- Book 3, Canto 12
- Book 4, Proem
- Book 4, Canto 1
- Book 4, Canto 2
- Book 4, Canto 3
- Book 4, Canto 4
- Book 4, Canto 5
- Book 4, Canto 6
- Book 4, Canto 7
- Book 4, Canto 8
- Book 4, Canto 9
- Book 4, Canto 10
- Book 4, Canto 11
- Book 4, Canto 12
- Book 5, Proem
- Book 5, Canto 1
- Book 5, Canto 2
- Book 5, Canto 3
- Book 5, Canto 4
- Book 5, Canto 5
- Book 5, Canto 6
- Book 5, Canto 7
- Book 5, Canto 8
- Book 5, Canto 9
- Book 5, Canto 10
- Book 5, Canto 11
- Book 5, Canto 12
- Book 6, Proem
- Book 6, Canto 1
- Book 6, Canto 2
- Book 6, Canto 3
- Book 6, Canto 4
- Book 6, Canto 5
- Book 6, Canto 6
- Book 6, Canto 7
- Book 6, Canto 8
- Book 6, Canto 9
- Book 6, Canto 10
- Book 6, Canto 11
- Book 6, Canto 12
- Themes
-
Characters
- Redcrosse
- Una
- Sir Guyon
- Britomart
- Arthur
- Arthegall (or Artegall)
- Calidore
- Calepine
- Florimell & The False Florimell
- Belphoebe
- The Faerie Queene or Gloriana or Tanaquill
- Scudamore
- Satyrane
- Cambell and Triamond
- Marinell
- Timias
- Pastorella
- Tristram
- Caelia
- Medina, Elissa, and Perissa
- Alma and The Three Counselors
- Merlin
- Mercilla
- The Hermit
- The Palmer
- The Ferryman
- Glauce
- Canacee and Cambine
- Chrysogone
- Priamond and Dyamond
- Cymoent (Cymodoce)
- Agape
- Talus
- The Savage Man
- Bellamour, Claribell, & Melissa
- Colin Clout
- Coridon
- Meliboe
- Enias
- Archimago
- Duessa
- The Dragon
- Sansfoy, Sansjoy, and Sansloy
- Pyrocles and Cymochles
- Acrasia
- Busirane
- The Blatant Beast
- Grantorto
- Error
- Lucifera
- Orgoglio
- Abessa, Corceca, and Kirkrapine
- Despair
- Furor and Occasion
- Phaedria
- Mammon
- The Witch and her Son
- The Foster, or Forester
- Argante and Ollyphant
- The Savage (Lust)
- Sclaunder
- Corflambo
- Sanglier
- Pollente & Munera
- The Giant with Scales
- Radigund
- Clarin or Clarinda
- Malengin
- Adicia and The Souldan
- Geryoneo
- Maleger
- Turpine & Blandina
- Brigants or (Brigands)
- Dolon
- Morpheus
- Night
- Aesculapius
- Sylvanus and his Satyrs
- Braggadochio and Trompart
- Malecasta
- Proteus
- Malbecco (Jealousy) and Hellenore
- The Squire of Dames
- Paridell
- Blandamour, Claribell, & Duron
- Burbon & Fleurdelis
- Poeana
- Briana & Crudor
- Decetto, Defetto, & Despetto
- Fraudubio
- Amavia, Mordant, and Ruddymane
- Phaon or Phedon
- Amoret
- Amyas and Placidas
- Belgae or Belge
- Samient
- Aladine and Aldus
- Matilda (Matilde) & Bruin
- Mirabella
- Serena
- Analysis
- Quotes
- Premium