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Booker's Seven Basic Plots Analysis
There’s some anticipation here (Where will he go? What will he do? What fish might he catch?) and then there’s some traveling into the other world – the sea (whereas the world he started on is the land). "The sea," or "la mar," as the old man calls it, has all the characteristics of another world. It has different creatures, demands different skills, and operates under a unique set of rules.
The fish is too big to be true. The old man will later wonder if the whole thing was a dream. He is also fascinated by the enormity, color, and strength of the fish. Sounds like the right stage to us.
We threw this into the frustration stage, but it’s not necessarily a frustrating endeavor for the guru-like old man. He never complains about the challenge or whines about the pain (a whining protagonist isn’t generally recommended), but works through it with dignity and grace. Except for that one teensy point when he says, "Fish, you are going to have to die anyway. Do you have to kill me, too?" So that’s maybe a little bit frustrated. Perturbed, we’ll say.
Everything was so perfect in the dream…until the nightmare. The sharks come out of the ocean like the boogie man out of your closet: the old man’s worst nightmare.
Not so much of a thrilling escape, but certainly a return, isn’t it? Booker says the question during this stage is whether the protagonist learned anything or was changed in any way. Indeed, we say, he has. The old man returns to land as the champion, or El Campeon, as in the days of his youth. He has once again proven himself and his strength to the world, which marvels at the enormity of the fish’s eighteen-foot skeleton.
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