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The hero of The Stranger displays a detachment not only from the nebulous idea of society, but also from women. He doesn't cry at his mother’s funeral. He doesn't sympathize with Raymond’s ex-girlfriend when she is brutally beaten. He doesn't love his own girlfriend, even though he admittedly enjoys her (sexy) company. This highlights both his robot-like detachment and the fact that he gets the majority of his pleasure from, well, pleasure.
Meursault’s actions in and attitude towards his relationship with Marie is representative of his actions and attitudes in general: he is motivated only by the physical and concerned only with himself.
There are no positive examples of sexual relationships in The Stranger. Camus argues that, to the absurdist, sex is at best irrelevant, and at worst destructive or hurtful.